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  • The Pulse of Sense
    Angelaki Pub Date : 2021-07-14

    (2021). The Pulse of Sense. Angelaki: Vol. 26, the pulse of sense: encounters with jean-luc nancy. issue editors: marie chabbert and nikolaas deketelaere, pp. 1-2.

  • Acknowledgements
    Angelaki Pub Date : 2021-07-14

    (2021). Acknowledgements. Angelaki: Vol. 26, the pulse of sense: encounters with jean-luc nancy. issue editors: marie chabbert and nikolaas deketelaere, pp. 3-3.

  • The Pulse of Sense
    Angelaki Pub Date : 2021-07-14

    (2021). The Pulse of Sense. Angelaki: Vol. 26, the pulse of sense: encounters with jean-luc nancy. issue editors: marie chabbert and nikolaas deketelaere, pp. 4-11.

  • The World’s Fragile Skin
    Angelaki Pub Date : 2021-07-14

    (2021). The World’s Fragile Skin. Angelaki: Vol. 26, the pulse of sense: encounters with jean-luc nancy. issue editors: marie chabbert and nikolaas deketelaere, pp. 12-16.

  • Insistence, or the Force of Jean-Luc Nancy
    Angelaki Pub Date : 2021-07-14

    Abstract This essay recognizes the insistent force of Jean-Luc Nancy: not only his life force or his physical and mental fortitude in living through a heart transplant and other illnesses, but also his force of thought or his influence on generations of thinkers. The optimistic and resilient spirit of this force oftentimes finds itself reaffirmed in Nancy’s writings especially on freedom, community

  • Nancy on Trial
    Angelaki Pub Date : 2021-07-14

    Abstract This paper looks at the thread throughout Nancy’s work on the notion of the decision and judgment. In a period when we must rethink not only the sovereign decision but all manner of traditional jurisprudential and ethical modes of thinking the decision, Nancy’s considerations of freedom help us reflect on thinking the decision otherwise and thus could prove revolutionary for how we think crime

  • The Fragility of Thinking
    Angelaki Pub Date : 2021-07-14

    Abstract In a recent volume titled Demande (Expectation), containing texts written over a period of more than thirty years, but each devoted to different aspects of the relationship between philosophy and literature, Jean-Luc Nancy offers a suggestive account of their mutual genesis and ongoing dialogue in order to underline the way in which, beyond their apparent dialectical reciprocity, philosophy

  • Pir-ating the Given
    Angelaki Pub Date : 2021-07-14

    Abstract It is the task of this article to explore the status of experience within Jean-Luc Nancy’s exposition of freedom in order to discover his positioning of “the empirical” within philosophical discourse. It is my intention to (a) determine the coherence of the etymological work relating experience to the various manifestations of the sense of pir- (PIE base per-), (b) survey the role of “experience”

  • Abraham’s Ordeal
    Angelaki Pub Date : 2021-07-14

    Abstract This paper seeks to elucidate Jean-Luc Nancy’s and Søren Kierkegaard’s shared understanding of faith by providing a phenomenology of faith. This is accomplished by applying Nancy’s conception of experience (which resonates with that of a number of contemporary phenomenologists, notably Claude Romano) to Kierkegaard’s Fear and Trembling, of which this paper thus offers a phenomenological reading

  • Interpreters of the Divine
    Angelaki Pub Date : 2021-07-14

    Abstract In both “Answering for Sense” and “Sharing Voices,” Jean-Luc Nancy offers an account of the poet as an interpreter of the gods. The voice of the poet in both Homer’s Iliad and Plato’s Ion is intrinsically and originally doubled. Although there is no divine voice outside of the poet’s voice, the divine voice speaks in the poet’s voice and the poetic voice gives a voice to that of the goddess

  • Art’s Passing for Hegel, Lacoue-Labarthe, and Nancy
    Angelaki Pub Date : 2021-07-14

    Abstract This article explores the understanding of æsthetics in the work of Philippe Lacoue-Labarthe and Jean-Luc Nancy. It does so in relation to Hegel’s claim about art’s dissolution or passing at the end of the classical Greek age, as the world entered the modern Christian age. For the two French thinkers, their relation to Hegel (and to a large extent æsthetics generally) turns on the claim that

  • Jean-Luc Nancy, a Romantic Philosopher?
    Angelaki Pub Date : 2021-07-14

    Abstract This paper will, in its successive steps and movements, revolve around one single question, a question that might, at first sight, come across as somewhat irrelevant or even impertinent within the context of philosophical or academic discourse. How romantic is Jean-Luc Nancy? Or: is there a specifically Nancyan sense of romance? Notwithstanding these somewhat unscholarly formulations, I am

  • Spread Body and Exposed Body
    Angelaki Pub Date : 2021-07-14

    Abstract The question of the body spans across the work of Jean-Luc Nancy, from Noli me tangere, to Corpus and Jacques Derrida’s dialogue with Nancy in On Touching. In constant conversation with Christianity (“This is my body” or Dis-Enclosure), corporeality in Nancy can be summarised using the figure of the “exposed body (corps ex-peausé)”: a demonstration of the surface of the skin (peau) and an

  • An Ontology for Our Times
    Angelaki Pub Date : 2021-07-14

    Abstract In this article, I put Nancy’s thinking in conversation with contemporary demands for a flat ontology. I show that Nancy does in fact propose an ontology that is flat and in that way undoes the priority of human experience as the producer of sense. At the same time, I show that Nancy avoids two pitfalls other flat ontologies often fall into: a formalism that forgets materiality and falls prey

  • Affectivity, Sense, and Affects
    Angelaki Pub Date : 2021-07-14

    Abstract This article argues that attempts by philosophy to think emotions as embodied is caught between the necessity of thinking them as a subjective first-person dimension of experience on the one hand and as an objective biological determination on the other. Philosophy has tended to view these two dimensions, qualitative and quantitative, respectively, as either in a parallelism with each other

  • Metamorphosis or Mutation?
    Angelaki Pub Date : 2021-07-14

    Abstract Jean-Luc Nancy’s Deconstruction of Christianity views the current crisis of globalization as a mutation of our Christian culture and heritage. After outlining the basic premises of Nancy’s philosophy, this article situates Jacques Derrida’s critique of Nancy in his groundbreaking On Touching: whereas Nancy sees contemporary culture as a rupture (or indeed mutation) with the former Christian

  • Desecularisation
    Angelaki Pub Date : 2021-07-14

    Abstract Theologians and philosophers remain rather indecisive about the notion of desecularisation. I suggest that desecularisation should be considered relevant insofar as it interacts with other notions belonging to contemporary thought, namely: radical secularisation, desacralisation, deconstruction, and dis-enclosure. I argue that desecularisation can be understood as belonging to the same movement

  • Raising Death
    Angelaki Pub Date : 2021-07-14

    Abstract In his philosophical project of a “deconstruction of monotheism,” Jean-Luc Nancy explores the hypothesis that the historical roots of secularization should be traced back to the beginnings of the monotheistic traditions. The secular is not exclusively a feature of modern culture. The complex connections and tensions between secularity and religion in recent decades can only be analyzed effectively

  • The Eternal Return of Religion
    Angelaki Pub Date : 2021-07-14

    Abstract At the opening of the first volume of his Deconstruction of Christianity, Nancy argues that “The much discussed ‘return of the religious,’ which denotes a real phenomenon, deserves no more attention than any other ‘return’” (1). This statement may seem paradoxical in light of Nancy’s extensive study of the logic of the return – including, of the divine – in texts such as “Of Divine Places

  • Nancy is a Thinker of Radical Emancipation
    Angelaki Pub Date : 2021-07-14

    Abstract Nancy has been criticised for rejecting the politics of emancipation that characterises the thought of some of his more militant contemporaries. To be sure, he does distance himself from the rhetoric of emancipation. He considers that the grand modern emancipation narrative of the Enlightenment, and of the revolutions of the late eighteenth century, expired with the end of the Cold War, and

  • An Accordion Tune
    Angelaki Pub Date : 2021-07-14

    (2021). An Accordion Tune. Angelaki: Vol. 26, the pulse of sense: encounters with jean-luc nancy. issue editors: marie chabbert and nikolaas deketelaere, pp. 239-242.

  • notes on the contributors
    Angelaki Pub Date : 2021-07-14

    (2021). notes on the contributors. Angelaki: Vol. 26, the pulse of sense: encounters with jean-luc nancy. issue editors: marie chabbert and nikolaas deketelaere, pp. 243-246.

  • A TYPE OF HOUSE-PAINT FOR ALL WEATHERS
    Angelaki Pub Date : 2021-03-23
    Nicholas Birns

    (2021). A TYPE OF HOUSE-PAINT FOR ALL WEATHERS. Angelaki: Vol. 26, the kinsellaverse: the writing world of john kinsella. issue editors: nicholas birns and tony hughes-d’aeth, pp. 1-3.

  • THE KINSELLAVERSE
    Angelaki Pub Date : 2021-03-23
    Tony Hughes-d'Aeth

    (2021). THE KINSELLAVERSE. Angelaki: Vol. 26, the kinsellaverse: the writing world of john kinsella. issue editors: nicholas birns and tony hughes-d’aeth, pp. 4-7.

  • WELCOME SWALLOWS
    Angelaki Pub Date : 2021-03-23
    John Kinsella

    (2021). WELCOME SWALLOWS. Angelaki: Vol. 26, the kinsellaverse: the writing world of john kinsella. issue editors: nicholas birns and tony hughes-d’aeth, pp. 8-9.

  • BEYOND THE BOUNDS
    Angelaki Pub Date : 2021-03-23
    Philip Mead

    Abstract For John Kinsella place and space, with all their historical, cultural, political, geographical, epistemic and environmental dimensions, are explicitly constitutive of his writing. But the ruling imaginary of this writing is “displacement,” the problems and paradoxes of home, country, travel, knowledge, ecology, activism that characterise his critical and poetic engagements. From multiple

  • ART AND ACTS OF SEEING IN THE WORK OF JOHN KINSELLA
    Angelaki Pub Date : 2021-03-23
    Ann Vickery

    Abstract This essay investigates the development of seeing as an affective, political and potentially transformative practice across the course of John Kinsella’s poetic career. It analyses how seeing becomes a means for Kinsella to apprehend the relationship between self and environment and to consider how local-scale is tied to broader-scale change. At the same time, it traces Kinsella’s concern

  • POETRY AND “POST-MABO LYSIS”
    Angelaki Pub Date : 2021-03-23
    Kieran Dolin

    Abstract John Kinsella is an important literary witness to the acknowledgement of native title in Australia, and Indigenous rights more generally. His writings also bear witness to continuing forces of resistance to those rights in Australian society. This paper traces Kinsella’s engagement with the Mabo case, the 1992 legal decision that recognised native title as part of Australian law, and rejected

  • THE CYBERNETIC WHEATBELT
    Angelaki Pub Date : 2021-03-23
    Tony Hughes-d’Aeth

    Abstract John Kinsella’s poetry returns again and again to the landscape of the Western Australian wheatbelt. The wheatbelt is a region that was suddenly and violently re-made by capital in the service of cereal and fibre production during the course of the twentieth century. Despite this radical repurposing of land and the wholesale eradication of an ancient biome, the new farming zone quickly took

  • WHAT LIES BENEATH
    Angelaki Pub Date : 2021-03-23
    Paul Hetherington, Cassandra Atherton

    Abstract John Kinsella’s three-volume Graphology Poems: 1995–2015 (2016) constitutes a major and shifting set of poetic statements. Partly a discontinuous poetic chronicle of life in Western Australia’s Avon Valley, they are also an investigation of ways in which an activist poetry may inscribe aspects of being, self and experience while protesting against environmental challenges and degradation.

  • CO-AUTHORING COMMUNITAS
    Angelaki Pub Date : 2021-03-23
    Dan Disney

    Abstract John Kinsella remains Australia’s most militant, morally cognizant naysayer, and his oeuvre is an archive of precepts running counter to master narratives of place. This essay re-reads Benjamin’s notion of the artist as cultural producer against the grain of Esposito’s etymological excavations of “community,” and frames Kinsella’s steady output of co-authored books as not only a mode of nomadic

  • JOHN KINSELLA, INTERNATIONAL REGIONALISM, AND WORLD LITERATURE
    Angelaki Pub Date : 2021-03-23
    Yanli He

    Abstract This article focuses on the question of John Kinsella’s invisibility in World Literature from the perspective of his International Regionalism (IR). First, it compares the similarity and difference between Kinsella and Joseph S. Nye’s international regionalism, and pinpoints the development of Kinsella’s IR from Disclosed Poetics, Activist Poetics, Spatial Relations to Polysituatedness. Second

  • JOHN KINSELLA AS LIFE WRITER
    Angelaki Pub Date : 2021-03-23
    David McCooey

    Abstract Life writing is ubiquitous in John Kinsella’s vast oeuvre. Kinsella’s employment of the diversity of modes collected under the rubric of “life writing” is underpinned by a “poetics of dirt.” Such a poetics is visible in the central role that material dirt (as both pollution and terrain) plays in Kinsella’s work, as well as the more general concept of impurity, as seen in Kinsella’s poetic

  • ON GENRE
    Angelaki Pub Date : 2021-03-23
    Thomas Bristow

    Abstract Paradoxically, loss is the only unconditional possession possible in elegy. A deep understanding of this phenomenon is to be found in long prose forms and lyricism of contemporary Australian writers. Turning the history of literature – from the Medieval to the contemporary – into a body of work more relevant to our ecological plight, in Kinsella’s corpus genres are consequences of textual

  • KILLING TIME
    Angelaki Pub Date : 2021-03-23
    Russell West-Pavlov

    Abstract This essay is a fictocritical meditation upon the contemporary transformation of temporal experience as we find ourselves embarked upon an accelerating process of climate change and species extinction, including possibly that of the human species. The essay offers an extended reading of a recent villanelle published in John Kinsella’s Book of Villanelles (Arc, 2020) that in turn responds to

  • THE SCRUB OF VICISSITUDE
    Angelaki Pub Date : 2021-03-23
    Nicholas Birns

    Abstract John Kinsella’s achievement as a poet has overshadowed his fiction. But his narrative accomplishment is a considerable one. Whereas his poetry is usually classified as either experimental or “dark pastoral,” the fiction evades these kinds of categorizations. This essay delineates Kinsella’s fictional oeuvre, from the estrangements of his short stories to his recent series of short novels,

  • notes on the contributors
    Angelaki Pub Date : 2021-03-23

    (2021). notes on the contributors. Angelaki: Vol. 26, the kinsellaverse: the writing world of john kinsella. issue editors: nicholas birns and tony hughes-d’aeth, pp. 135-137.

  • SLOTERDIJK’S ANTHROPOTECHNICS
    Angelaki Pub Date : 2021-01-26
    patrick roney, andrea rossi

    (2021). SLOTERDIJK’S ANTHROPOTECHNICS. Angelaki: Vol. 26, special issue: sloterdijk’s anthropotechnics. issue editors: patrick roney and andrea rossi, pp. 1-2.

  • SLOTERDIJK’S ANTHROPOTECHNICS
    Angelaki Pub Date : 2021-01-26
    Patrick Roney, Andrea Rossi

    (2021). SLOTERDIJK’S ANTHROPOTECHNICS. Angelaki: Vol. 26, special issue: sloterdijk’s anthropotechnics. issue editors: patrick roney and andrea rossi, pp. 3-8.

  • UNTITLED (NEGATIVE EXERCISES)
    Angelaki Pub Date : 2021-01-26
    Andrea Rossi

    (2021). UNTITLED (NEGATIVE EXERCISES) Angelaki: Vol. 26, special issue: sloterdijk’s anthropotechnics. issue editors: patrick roney and andrea rossi, pp. 156-159.

  • notes on the contributors
    Angelaki Pub Date : 2021-01-26

    (2021). notes on the contributors. Angelaki: Vol. 26, special issue: sloterdijk’s anthropotechnics. issue editors: patrick roney and andrea rossi, pp. 160-162.

  • ALONE WITH ONESELF
    Angelaki Pub Date : 2021-01-02
    Thomas Macho, Sascha Rashof

    Abstract The essay examines solitude not as fate, sacrifice or passion, but as an experience that is actively initiated, that is perceived ambivalently, sometimes painfully, but also sensually, and that functions as context as well as occasion for the practice of cultural techniques – talking (to oneself), reading, writing, drawing or painting. Solitude techniques are analysed as “technologies of the

  • ANTHROPOTECHNICS AND THE ABSOLUTE IMPERATIVE
    Angelaki Pub Date : 2021-01-02
    Patrick Roney

    Abstract This essay attempts to interrogate the distinct character of Peter Sloterdijk’s declaration of the absolute imperative that concludes his work, You Must Change Your Life, by contextualizing it within the development of his notion of anthropotechnics. In particular, the essays examine the claim that his is a new and unprecedented form of the absolute imperative that is alone able to address

  • OF AN ENLIGHTENMENT-CONSERVATIVE TONE RECENTLY ADOPTED IN PHILOSOPHY
    Angelaki Pub Date : 2021-01-02
    Serge Trottein

    Abstract How can an enterprise, such as Sloterdijk defines in his You Must Change Your Life and its satellite The Art of Philosophy, be “Enlightenment-conservative”? That is the question leading these reflections on the key terms that contain both works in nuce – practice of course, but also perspective and retrospective, transition, extension, explicitation, turn, return, and quarter turn –, reflections

  • SPECTERS OF RELIGION
    Angelaki Pub Date : 2021-01-02
    Gary E. Aylesworth

    Abstract In his publications since the three-volume Spheres project, Peter Sloterdijk thematizes religion as a now outmoded immunological system. He says it can no longer perform its historical function because humans have lost the protection of a world periphery. The entirety of what was “outside” is now “inside,” and this has happened because: (1) spheres are systems, and as Luhmann shows, systems

  • SARTRE AND SLOTERDIJK
    Angelaki Pub Date : 2021-01-02
    Christina Howells

    Abstract This essay explores the relationship between Sartre and Sloterdijk in the domain of ethics. The major Sloterdijkian imperative, “You must change your life,” is considered in its multiple aspects as an “unconditional instruction,” “the absolute imperative” and shown to exceed the Kantian options of hypothetical and categorical. Sloterdijk’s relations to Sartre are examined in the domains of

  • ASCETIC WORLDS
    Angelaki Pub Date : 2021-01-02
    Andrea Rossi

    Abstract Building and expanding on Peter Sloterdijk’s work, in this essay I explore the interrelation between anthropotechnics qua practice of the self and the political sphere, with a view, in particular, to providing a genealogy of some of its recent developments. I first analyse the birth of anthropotechnics within the framework of the axial revolution (Karl Jaspers), as withdrawal and return to

  • THE LIMITS OF THE SPHERES
    Angelaki Pub Date : 2021-01-02
    Antonio Lucci

    Abstract The paper, on the one hand, presents a reconstruction of the origin and development of the concepts of “anthropotechnics” and “homeotechnics” in Peter Sloterdijk’s thought, of the anthropological basis of his social philosophy, and of the question of subjectivity addressed in his book You Must Change Your Life (2009). On the other hand, it investigates with a critical aim the different forms

  • ANTHROPOTECHNICAL PRACTISING IN THE FOAM-WORLD
    Angelaki Pub Date : 2021-01-02
    Oliver Davis

    Abstract I begin by acknowledging the profusion of Peter Sloterdijk’s published work, the suggestion by Bruno Latour that it may be on the side of design, and Sloterdijk’s pugnacious aversion to professorial critique. I focus on what I consider to be the crucial and vexed relationship between the general immunology of the Spheres trilogy [1998–2004] and the general ascetology of You Must Change Your

  • STAYING WITH THE DARKNESS
    Angelaki Pub Date : 2021-01-02
    Andrea Capra

    Abstract This essay discusses Sloterdijk’s anthropotechnical framework as it relates to recent contributions that deal with the inherent opacities of digital technology and processes of blackboxing. I argue that Sloterdijk’s philosophy is a precious case of affirmative, non-nihilistic technophilic thinking that espouses the technogenic provenance of mankind, and leaves space for technologically engendered

  • THE UNKNOWN QUANTITY
    Angelaki Pub Date : 2021-01-02
    Robert Hughes

    Abstract This essay explores the trope of sleep in Peter Sloterdijk’s philosophy of anthropotechnics. Sleep is shown to be important for our understanding of Sloterdijk’s project as an index of his subject’s larger, hidden complex of inertias, habits, and corporeal requirements and processes that dominate subjective life and that exist outside the mastery of ego and consciousness. The essay explores

  • DISSIMULATION
    Angelaki Pub Date : 2020-11-01
    Matthew King

    Patterns in contemporary conflict highlight the failures of traditional views of the relationship between humanity and technology. This paper proposes that modern conflict is characterized by somet...

  • LIKE A STALKER TO THE ZONE
    Angelaki Pub Date : 2020-11-01
    Melanie McMahon

    Abstract Andrei Tarkovsky’s film Stalker is often understood as both a cinematic masterpiece and an impenetrable mystery. The source text, Arkady and Boris Strugatsky’s novel, Roadside Picnic, provides clues to interpretation as well as insights into the evolution of motifs from book to screenplay. By subjecting the texts to a critical reading inspired by Alain Badiou’s philosophy of the event – itself

  • TRANSLATING THE PSYCHOANALYSIS OF ORIGINS
    Angelaki Pub Date : 2020-11-01
    Tom Goodwin

    Abstract Nicolas Abraham’s “Introducing Thalassa” contributed to the revival of Sàndor Ferenczi’s ideas in France from the 1960s and initiated a transformation in his own psychoanalytic thinking as the thalassal argument was brought into a new context. This article argues that Abraham’s work provides a pathway to not only remember, but also revitalise Ferenczi’s notion of trauma and its inscription

  • BEETHOVEN AND THE TEST OF FAITH
    Angelaki Pub Date : 2020-11-01
    François-Nicolas Vozel

    Abstract Hélène Cixous’s engagement with faith is a significant but overlooked facet of her work. Focusing on Beethoven à jamais ou l’existence de Dieu [Beethoven Forever or the Existence of God] (1993), this article contends that Cixous envisions faith as the ground and horizon of both artistic creation and love. To illustrate this point, the author focuses on Cixous’s idiosyncratic portrayal of Ludwig

  • REFUSAL IN MEASURE FOR MEASURE
    Angelaki Pub Date : 2020-11-01
    Matthew Kendrick

    Abstract Much critical attention has been given to Isabella’s non-answer to Duke Vincentio’s marriage proposal at the conclusion of Measure for Measure. What critics have failed to notice is that Isabella’s non-answer is not a unique or singular moment in the play. In fact, this paper will apply the theories of Slavoj Žižek to argue that the logic of subtraction, the negative gesture of non-compliance

  • LAMENT AND REVOLUTION
    Angelaki Pub Date : 2020-11-01
    Baraneh Emadian

    Abstract This article reflects on the nuances and insinuations of a conceptualisation of “lament” as an inability to appropriate any object, or to turn the lost object into a fetish. While mourning, melancholia, and fetishism ultimately remain entangled with the ego (i.e., within a narcissistic configuration), lament goes beyond that, hinting at a loss of ego, a disintegration of the autonomous self

  • DEATH, A SURREPTITIOUS FRIENDSHIP
    Angelaki Pub Date : 2020-11-01
    Dan Taylor

    Abstract This article explores the friendship of Maurice Blanchot and Georges Bataille through a close reading of their thought on death and dying. An intellectual and personal friendship, both conceived of death as an “impossible” space and “limit-experience” that not only constituted human subjectivity, but could also puncture it, leading to joy through deindividuation. This could only occur indirectly

  • USING PEIRCE (AND DELEUZE’S PEIRCE) TO THINK ABOUT #FOODPORN AND OTHER INSTAGRAM SIGNS
    Angelaki Pub Date : 2020-09-02
    Roger Dawkins

    Abstract This essay applies Peirce’s and Deleuze’s semiotics to “food porn” on Instagram, and this sign is an exemplar of the structure of all signs on this platform. Food porn is defined as triadic: (1) the food porn image plus the comments are representative of (2) the profile who posted the image (poster) for (3) another profile (ambient viewer) who thinks this relationship. From Peirce and Deleuze

  • PHILOSOPHY INTERRUPTED
    Angelaki Pub Date : 2020-09-02
    Anthony Curtis Adler

    Abstract The Unspeakable Girl is more important for Agamben’s thought than its short length, antiquarianism, and belletristic format suggest. In discussing ancient initiation rites through an analysis of the figure of the Kore – the unspeakable girl – it suggests how we might conceive of initiation into form-of-life, thus addressing a pressing question that emerges from Agamben’s Homo Sacer project:

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