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Tapping the Margins: Feminist Research in Tap Dance History Dance Chronicle Pub Date : 2024-03-18 Margaret Morrison
The research project Tapping the Margins was undertaken by Ann Kilkelly and Mary Neth from 1999 through 2005 and focused on women in tap dance. Their scope was unprecedented: to analyze constructio...
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Introduction to issue 47.2 Dance Chronicle Pub Date : 2024-03-11 Kate Mattingly
Published in Dance Chronicle (Ahead of Print, 2024)
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Augmented dance lessons for diaspora Indian older adults: examining the impact on adjustments, quality of life, and physical agility Research in Dance Education Pub Date : 2024-03-11 Samta P. Pandya
This article reports a study on the effectiveness of augmented dance lessons or dance lessons embellished with a meditation component, with diaspora Indian older adults in improving their cross-cul...
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Indian Dance Criticism as Decolonial Post-Performance Performative Dance Chronicle Pub Date : 2024-02-28 Priya Venkat Raman
This paper examines dance reviews of transnational performances of Indian male dancers Uday Shankar and Ram Gopal from the 1930s to the 1950s. Throughout, this research seeks to contribute to metho...
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Methodologies and Missteps: Reflections on Research as a Generative Praxis Dance Chronicle Pub Date : 2024-02-20 Laura Pettibone Wright
Published in Dance Chronicle (Vol. 47, No. 1, 2024)
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A Flashlight in the Dark: Shaping Dance Canons by Kate Mattingly Dance Chronicle Pub Date : 2024-02-20 Fen Kennedy
Published in Dance Chronicle (Vol. 47, No. 1, 2024)
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Ordering Movement, Ordering the Past Dance Chronicle Pub Date : 2024-02-20 Rachel Carrico
Published in Dance Chronicle (Vol. 47, No. 1, 2024)
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Pluriversal Embodiment Dance Chronicle Pub Date : 2024-02-20 Rainy Demerson
Published in Dance Chronicle (Vol. 47, No. 1, 2024)
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Interrogating Histories and Historicizing Dance Studies Dance Chronicle Pub Date : 2024-02-20 Kate Mattingly, Rainy Demerson
Published in Dance Chronicle (Vol. 47, No. 1, 2024)
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“Capoeira cannot be played alone”: Dancing Dialogues Around the World and on the Page Dance Chronicle Pub Date : 2024-02-20 Dasha A. Chapman
Published in Dance Chronicle (Vol. 47, No. 1, 2024)
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Methods and Models: A Compelling Anthology for Researchers and Educators Dance Chronicle Pub Date : 2024-02-20 Ariel Nereson
Published in Dance Chronicle (Vol. 47, No. 1, 2024)
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From Representation to Redistribution: Border Crossings Dance Chronicle Pub Date : 2024-02-20 Kate Mattingly, Elisabeth Motley
Published in Dance Chronicle (Vol. 47, No. 1, 2024)
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Editorial Research in Dance Education Pub Date : 2024-02-15 Angela Pickard
Published in Research in Dance Education (Vol. 25, No. 1, 2024)
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Ariadne’s Thread: A Depth Psychology Exploration of Liminal Immanence in Dance/Movement Dance Chronicle Pub Date : 2024-02-12 Arianne MacBean
The ancient Greek myth of Ariadne provides clues about the vitality of movement––its expression and action––and how it evokes a concept of selfhood that does not venerate arrival. This article anal...
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Linguistic bodies: cognitive science and Stanislavsky’s last words Theatre, Dance and Performance Training Pub Date : 2024-02-09 Rhonda Blair
This article takes key areas of cognitive science - including enactivism, 4E cognition, cognitive ecologies, and cognitive linguistics – to explore the connections between these relatively new scie...
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‘Stanislavsky and mindfulness, a one-day symposium’ hosted at London South Bank University on April 20th, 2023, in partnership with the S word Theatre, Dance and Performance Training Pub Date : 2024-02-09 Tom Sanigar (Davis)
Published in Theatre, Dance and Performance Training (Ahead of Print, 2024)
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James Baldwin’s Lean: Gratuitous Violence and Black Performativity in Take This Hammer Dance Chronicle Pub Date : 2024-02-05 Omar Benton Ricks
This article reads James Baldwin’s performative labor in the 1964 documentary film Take This Hammer as the staging of an engagement between Saidiya Hartman and Judith Butler’s contending approaches...
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This Ass is Magic: The Black Feminist Power of Twerking Dance Chronicle Pub Date : 2024-02-02 Mariah Johnson
Using discourse analysis and autoethnographic research, I center twerking as a Black dance and a Black feminist practice. My research challenges omissions in communication studies, which has tended...
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A “Tick and Flick” Exercise: Movement and Form in Australian Parliamentary Human Rights Scrutiny Dance Research Journal Pub Date : 2024-01-30 Sean Mulcahy, Kate Seear
Human rights scrutiny processes in some Australian parliaments require consideration of whether rights-limiting legislation is reasonable, justifiable, and proportionate. The Queensland Human Rights commissioner has raised concerns of this becoming a “perfunctory ‘tick and flick’ exercise” in which decision-makers perform the “dance steps to [rights] derogation”—a concern emulated by others. Taking
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Research Methodology in Education and Training: Postures, Practices and Forms Research in Dance Education Pub Date : 2024-01-16 Ade Hamka, Sardi Pranata, Arnie Perwita Sari, Endah Nur Amalina, Ardiana Sari
Published in Research in Dance Education (Vol. 25, No. 1, 2024)
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Crip Aesthetics and a Choreographic Method of Leakiness Dance Chronicle Pub Date : 2024-01-04 Elisabeth Motley
Drawing attention to the affordances and challenges of disability dance and choreography, most notably aesthetic ideals which are antithetical to disability knowing, this research seeks to instigat...
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Dancing with pain: agency through pain worlds Research in Dance Education Pub Date : 2023-12-18 Emma Meehan
This article examines a series of qualitative interviews with seven dance artists in the UK who make dance works with and about their own chronic pain. It integrates research from dance studies (on...
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Moving Matter: A methodology for material-led collaborations Theatre, Dance and Performance Training Pub Date : 2023-12-13 Rob Kitsos, Meagan Woods
Interdisciplinary movement artists and educators Rob Kitsos and Meagan Woods share the process behind Moving Matter: material-led collaborative choreographies, a research-creation project that offe...
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Stages of reckoning: antiracist and decolonial actor training Theatre, Dance and Performance Training Pub Date : 2023-12-08 Evi Stamatiou
Published in Theatre, Dance and Performance Training (Vol. 14, No. 4, 2023)
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Editorial Theatre, Dance and Performance Training Pub Date : 2023-12-08 Jonathan Pitches, Libby Worth, Roanna Mitchell
Published in Theatre, Dance and Performance Training (Vol. 14, No. 4, 2023)
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‘And all the men and women merely players’: theatre training in VR Theatre, Dance and Performance Training Pub Date : 2023-12-08 Klaus Kruse, Ciaran Clarke
Published in Theatre, Dance and Performance Training (Vol. 14, No. 4, 2023)
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Transformations across time and space Theatre, Dance and Performance Training Pub Date : 2023-12-08 Carolyn Defrin, Elena Marchevska
Published in Theatre, Dance and Performance Training (Vol. 14, No. 4, 2023)
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Postcards from the unreal engine Theatre, Dance and Performance Training Pub Date : 2023-12-08 Megan Beckwith
Published in Theatre, Dance and Performance Training (Vol. 14, No. 4, 2023)
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Training and the virtual: the second Mouth cyborg Theatre, Dance and Performance Training Pub Date : 2023-12-08 Darlane Litaay
Published in Theatre, Dance and Performance Training (Vol. 14, No. 4, 2023)
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Training and the virtual: body network Theatre, Dance and Performance Training Pub Date : 2023-12-08 Josipa Bubas
Published in Theatre, Dance and Performance Training (Vol. 14, No. 4, 2023)
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Give yourself permission Theatre, Dance and Performance Training Pub Date : 2023-12-08 Yasmeen Katayoun Kavita Sangha
Published in Theatre, Dance and Performance Training (Vol. 14, No. 4, 2023)
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After the empty space: from traditional settings to new creative ecologies Theatre, Dance and Performance Training Pub Date : 2023-12-08 Eleni Kolliopoulou
Published in Theatre, Dance and Performance Training (Vol. 14, No. 4, 2023)
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Monika Pagneux (1927–2023): a kind of obituary Theatre, Dance and Performance Training Pub Date : 2023-12-08 Simon Murray
Published in Theatre, Dance and Performance Training (Vol. 14, No. 4, 2023)
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Mapping as Historiographic Practice: The Ballet Landscape in Interwar Greece Dance Chronicle Pub Date : 2023-12-08 Anna Leon
This article proposes mapping as a tool for dance historiography, and presents a case study of ballet in interwar Greece to show mapping’s distinct attributes. Mapping supports critical dance histo...
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What’s in a name? Identifying and positioning the Teaching Artist within the Australian Arts education landscape Research in Dance Education Pub Date : 2023-12-01 Avril Huddy
This paper investigates the naming conventions and identities of practitioners working within Australian Arts education with a view to test the suitability of the term Teaching Artist, an identity ...
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The “Ring Shout”: A Corporeal Conjuring of Black-Togetherness Dance Research Journal Pub Date : 2023-12-01 yaTande Whitney V. Hunter
This article explores the Ring Shout as a corporeal conjuring of Black-togetherness. Theoretically, I embrace the notion of assembly in ways that offer new comprehension around both implicit and explicit modes of embodiment in constant play within Black cultural modes. I turn to the research of Katrina Hazzard-Donald, Dr. Yvonne Daniel, and M. Jacqui Alexander for theoretical grounding regarding diasporic
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Curtain Calls in Dance: Negotiating the Terms of Disengagement Dance Research Journal Pub Date : 2023-12-01 Caroline Sutton Clark
Through curtain calls in Eurocentric theatrical dance forms, dance artists, audience members, and staff coordinate how dance concerts end and participants disperse. Nevertheless, despite the widespread use of such practices, the rituals of bows and applause have largely eluded critical inquiry. This article offers dance practitioners choices toward thoughtfully negotiating the processes of engagement
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The Superfluid Curation of Darkness Dance Research Journal Pub Date : 2023-12-01 Sarah Conn
Contemporary interdisciplinary collaboration practices offer visions of new modes of assembly. This article traces a curatorial model of interdisciplinary collaboration, exploring how artists activate curation as a methodology of creation. I refer specifically to the creative practice of the award-winning Queer trans/mogrifying multidisciplinary artist and futurist Sage Ni'Ja Whitson, and their series
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Lower extremity characteristics and postural alignment in young pre-professional dancers Research in Dance Education Pub Date : 2023-11-28 Polina Smirnova Avsiuk
Lower extremities (LE) play a fundamental role in ballet technique, yet they are not often assessed as thoroughly as other areas of the body in the youngest pre-professional dancers. The aim of thi...
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Editorial Research in Dance Education Pub Date : 2023-11-23 Angela Pickard
Published in Research in Dance Education (Vol. 24, No. 4, 2023)
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The effects of dance movement therapy for children with Autism spectrum disorder Research in Dance Education Pub Date : 2023-11-22 Liliana Scatozza, Pamela J. Bryden, Paula C. Fletcher
Autism spectrum disorder (ASD) is a lifelong neurodevelopmental condition characterized by social/communication challenges and restrictive or repetitive behaviours. While motor challenges are not c...
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The effects of strength and balance exercises on the center of pressure and plantar pressure distribution in adolescent ballet dancers Research in Dance Education Pub Date : 2023-11-15 Yağmur Arınlı, Gökhan Umutlu, Zekai Pehlevan
We aimed to examine whether the changes in neuromuscular strength indices and balance affect the gait patterns of five fundamental ballet techniques performed on a single leg after 8-weeks of stren...
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Competitive dancers’ social identities and experiences of harm Research in Dance Education Pub Date : 2023-11-06 Aalaya Milne, Michael Atkinson, Gretchen Kerr, Ashley Stirling
The purpose of the research was to explore competitive dancers’ experiences of harm in the dance environment with a focus placed on dancers’ social identities. Limited attention has been given to i...
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‘I guess you just have to deal with it’: pre-professional ballet dancers’ experiences of pain, injury, and social support Research in Dance Education Pub Date : 2023-11-01 Vanessa Paglione, S. J. Kenny, W. Bridel, M. H. McDonough, M. Araujo
Pre-professional ballet dancers are at high risk for musculoskeletal injuries, some of which are not reported and are self-managed by dancers themselves. Understanding the decisions that adolescent...
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In Memoriam: Naomi Mindlin (1948-2022) Dance Chronicle Pub Date : 2023-10-11 Olive Demar
Published in Dance Chronicle (Vol. 46, No. 3, 2023)
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Toward a salsa dancing hegemony: dancing-with Laclau with-Derrida Research in Dance Education Pub Date : 2023-10-11 Joshua M. Hall
In the present article, the first section recapitulates my ‘figuration’ philosophy of dance, the ‘dancing-with’ interpretive method derived therefrom, and my previous application of figuration to s...
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To Feel and to Move: Tracing the Borders of Dance Studies and Refugee Studies Dance Chronicle Pub Date : 2023-10-11 Juan Manuel Aldape Muñoz
Published in Dance Chronicle (Vol. 46, No. 3, 2023)
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Visibility and Values: A Compelling Analysis of Dancing and Why It Matters Dance Chronicle Pub Date : 2023-10-11 Priya Vashist
Published in Dance Chronicle (Vol. 46, No. 3, 2023)
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Expanding Butoh Studies: Now We Have a Chronicle Dance Chronicle Pub Date : 2023-10-11 Tanya Calamoneri
Published in Dance Chronicle (Vol. 46, No. 3, 2023)
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The Fate of La Feste: An Affective Reading of Maximilien Gardel’s Mirsa Ballets Dance Chronicle Pub Date : 2023-10-11 Amanda Danielle Moehlenpah
In 1781, ballet master Maximilien Gardel presented La Feste de Mirsa, a sequel to his 1779 ballet en action Mirza. Given the latter’s success, Opéra audiences anticipated another evening of praisew...
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Baladi and Beyond Dance Chronicle Pub Date : 2023-10-11 Leila Mire
Published in Dance Chronicle (Vol. 46, No. 3, 2023)
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Reimagining Byzantine Dance Dance Chronicle Pub Date : 2023-10-11 Kathryn Dickason
Published in Dance Chronicle (Vol. 46, No. 3, 2023)
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Unlocking the Beauty of Screendance: A Journey through History, Curatorial Practice, and Personal Reflections Dance Chronicle Pub Date : 2023-10-11 Jennifer Petuch
Published in Dance Chronicle (Vol. 46, No. 3, 2023)
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Turtlenecks and a bad attitude: student drama as director training Theatre, Dance and Performance Training Pub Date : 2023-10-04 Emma Large
Published in Theatre, Dance and Performance Training (Vol. 14, No. 3, 2023)
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Positivity Theatre, Dance and Performance Training Pub Date : 2023-10-04 James Yarker
Published in Theatre, Dance and Performance Training (Vol. 14, No. 3, 2023)
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What can an accomplice accomplish? Thinking about casting, point of view, and anti-racism in director training Theatre, Dance and Performance Training Pub Date : 2023-10-04 John Michael DiResta
Published in Theatre, Dance and Performance Training (Vol. 14, No. 3, 2023)
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Editorial Theatre, Dance and Performance Training Pub Date : 2023-10-04 Adam J. Ledger, Avra Sidiropoulou, Thomas Wilson
Published in Theatre, Dance and Performance Training (Vol. 14, No. 3, 2023)
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Training for resilience Theatre, Dance and Performance Training Pub Date : 2023-10-04 Avra Sidiropoulou
Published in Theatre, Dance and Performance Training (Vol. 14, No. 3, 2023)
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Director’s fear and self-cultivation Theatre, Dance and Performance Training Pub Date : 2023-10-04 Tamur Tohver
Published in Theatre, Dance and Performance Training (Vol. 14, No. 3, 2023)
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Musicality and transformative mise-en-scène: Ten principles for teaching theatre directing as composition Theatre, Dance and Performance Training Pub Date : 2023-10-04 George Rodosthenous
In this article I investigate how my own directorial influences are infiltrated and disseminated in the teaching of theatre directing. My own studies and background in music composition have shaped...