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Creative-aesthetic product design and tools Visual Resources (IF 0.3) Pub Date : 2024-08-06 Francesca Bertacchini, Pietro S. Pantano, Eleonora Bilotta
Providing a product with characteristics of beauty and creative innovation is one of the aims of any contemporary industry to meet the needs of customers and satisfy their aesthetic and functional ...
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There Is a Digital Art History Visual Resources (IF 0.3) Pub Date : 2024-08-07 Leonardo Impett, Fabian Offert
In this paper, we revisit Johanna Drucker’s question, “Is there a digital art history?” – posed a decade ago in this journal – in the light of the emergence of large-scale, transformer-based vision...
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‘Constructing a Critical Situation’: A Data-Based Approach to the Study of Cultural Periodicals and Art Criticism Visual Resources (IF 0.3) Pub Date : 2024-06-26 Sanja Sekelj
The article proposes a three-tier model for the analysis of cultural dynamics of the visual arts field, based on data extracted from cultural periodicals and art criticism. Originally developed on ...
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The Emotions of the Late Anthropocene in Visual Arts Visual Resources (IF 0.3) Pub Date : 2024-04-21 Ondřej Beran, Antony Fredriksson
This guest editors' introduction to the special issue provides a brief overview of ecological emotions, important philosophical accounts of emotion, the distinctive nature of visual arts and their ...
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How Do Ecological Emotions Emerge? An Analysis of Contemporary Swiss Eco-documentaries Visual Resources (IF 0.3) Pub Date : 2024-04-21 Laÿna Droz, Justine Baudet
Confronted by the multiscaled ecological crisis, many experience so-called ecological emotions such as ecological grief and eco-anxiety. Visual media can channel and contribute to creating and nurt...
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Concrete-philia in Contemporary Art: Israeli Art Between Real Estate Gluttony and Militaristic Architecture Visual Resources (IF 0.3) Pub Date : 2024-03-13 Nissim Gal
In this article I examine how contemporary concrete art intersects with various manifestations of concrete in Israeli culture. I first present contemporary works of art that explore the phenomenon ...
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Outsiders or Insiders? John Berger and the Ethical Reframing of Animals Visual Resources (IF 0.3) Pub Date : 2024-03-11 Michaela Fišerová
The paper focuses on the changing status of the moral framing of animals in Western visual culture in the last four decades. The author proposes to revise John Berger’s critique of the marginal way...
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Visual Resources Special Issue Visual Resources (IF 0.3) Pub Date : 2024-02-26 Travis L. Wagner, James Williamson
Published in Visual Resources: an international journal on images and their uses (Vol. 37, No. 4, 2021)
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“The Future’s So Bright, I Gotta Wear Shades”: Op Art’s Ophthalmological Tendency Visual Resources (IF 0.3) Pub Date : 2024-02-21 James M. Kopf
It may seem that the time of op art, that flashy movement often deemed to feature visual experiments designed to “trick” the human perceptual apparatus, has passed. The movement burned brightly for...
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Social Avatars and Future Boxing Identities Visual Resources (IF 0.3) Pub Date : 2024-02-19 Sarah Kate Crews, P. Solomon Lennox
In 2020, video footage of Franchón Crews-Dezurn’s weave being forcibly removed from her head during a championship boxing match went viral on social media. A month later Deontay Wilder became an in...
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Don’t Look Askance Visual Resources (IF 0.3) Pub Date : 2024-02-12 Ondřej Beran
The paper is a discussion of film expressions of environmental emotions, in particular of eco-anger. It discusses several distinctions within the notion of anger (in particular that of honour-relat...
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Nonhuman Images: Environment and Emotion in Two Films by Viera Čákanyová Visual Resources (IF 0.3) Pub Date : 2024-02-12 Antony Fredriksson
Two films by Viera Čákanyová portray the momentous yet fragile landscapes of Antarctica. Frem (Slovakia 2019) depicts vast and arid vistas from the perspective of a drone whose movements are based ...
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Playing with Gender: Trans Men’s Experiences Playing with Masculine Characters, Roles, and Identities in Online Video Games Visual Resources (IF 0.3) Pub Date : 2024-01-10 Jeremy Brenner-Levoy
Previous research illustrates the many ways that video games are constructed for cisgender, heterosexual, and white men. However, I argue that video games may serve as a valuable site of gender dis...
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Photography and Environmental Activism: Visualising the Struggle Against Industrial Pollution Visual Resources (IF 0.3) Pub Date : 2023-12-04 Reviewed by Noemi Quagliati
Published in Visual Resources: an international journal on images and their uses (Vol. 38, No. 2, 2022)
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Light, Metabolisms, Elemental Media: Theorising Human Mediality in the Anthropocene Visual Resources (IF 0.3) Pub Date : 2023-10-09 Lukáš Likavčan
This paper applies concepts of elemental media and metabolisms to the case of cosmic and planetary ecologies that emerge from the interaction between Earth and Sun, manifesting in photosynthesis or...
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Visibilizing Queer Futures Past: Ekphrasis and LGBTQIA + Representation in the Philippine Archive Visual Resources (IF 0.3) Pub Date : 2023-09-25 Gregorio R. Caliguia III
This article interrogates how both visual culture and queer futurity can be made visible in and through the Philippine archive as a case in point. It begins by problematizing a paradoxical specter ...
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“Discomforting VR”: Listening, Feeling, Contacting Virtual Reality Community Visual Resources (IF 0.3) Pub Date : 2023-08-08 Ilya Brookwell
This paper asks what we can learn from discomfort in virtual reality (VR) beyond perception-altering or consciousness-raising technical affordances. I accomplish this by directing focus upon the everyday VR user and using ethnographic participant observation. I first define a working concept called “discomforting VR” within the context of a corporate marketing scheme, a concept that focuses on unsettling
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Abstraction in Contemporary Visual Culture as an Interplay between Imagination, Image and Scientific Knowledge Visual Resources (IF 0.3) Pub Date : 2023-04-27 Alessandro Ferraro, Marco Tamborini
Can abstraction be considered as an interdisciplinary historical condition? In what ways does it affect the definition of the abstract image? This paper answers these questions by focusing on a specific case study – Beaumont Newhall’s article “The New Abstract Vision” (1947) – that presents a relevant, and yet underrated, interplay between the artistic and scientific domains in representing abstraction
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A State Avant-Gardism: Alternative Spaces and Cultural Policies in the United States Visual Resources (IF 0.3) Pub Date : 2023-04-25 Nicolas Heimendinger
It is well known that the development of alternative spaces in the United States during the 1970s benefited from government subsidies. However, either this fact is downplayed because it seems to taint the image of radical subversion on which the prestige of these spaces is based; or it is criticized as one of the main causes of the institutionalization of the alternative scene, or even as a pernicious
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Nintendo Switch-ing Genders: Bowsette and the Potentiality of Transgender Video Game Mechanics Visual Resources (IF 0.3) Pub Date : 2023-03-29 Jennessa Hester
In 2018, Nintendo announced a re-release of the game New Super Mario Bros. U. To make the title appealing to returning players, the company added series staple Toadette as a new playable character,...
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The Photogrammetric Image and Black-Boxed Mutative Automation Considered through Philip K. Dick’s The Preserving Machine Visual Resources (IF 0.3) Pub Date : 2023-02-06 Peter Ainsworth, Sam Plagerson, Tom Milnes
The multi-media research collective, The Preserving Machine, was initiated through collaborative discussion in response to Philip K. Dick’s 1953 short story of the same name. This article considers Dick’s story in light of current forms of image-making apparatus, specifically in relation to photogrammetry. Dick’s protagonist, Doc. Labyrinth’s design and ambitions of The Preserving Machine to safeguard
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Traces: Photographic Negatives and the Quest for Truth Visual Resources (IF 0.3) Pub Date : 2022-12-17 Stefka Hristova
Machine learning algorithms and artificial intelligence have made photographic manipulation easy and seamless. In thinking about the ways in which artificial intelligence has altered the truth-value of photography, this article explores the importance of situating the current debates over fake news and photographic manipulation in a larger historical context. More specifically, it suggests that it
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Leaving Home: Decoding Art Projects of Female Arab-Palestinian Students Visual Resources (IF 0.3) Pub Date : 2022-11-16 Shahar Marnin-Distelfeld, Tal Meler
This article examines projects of female Arab-Palestinian college art students in the Israeli periphery. The projects focus on the students’ living environment, domestic space, and the transition from their childhood home to the new post-marriage house. They experience this transition, which usually also means leaving the familiar environment of their village of origin for another place, as a significant
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Talking about the World Press Photo 20 Exhibition at the WestLicht: Analysing Communication Frames on Social Media Visual Resources (IF 0.3) Pub Date : 2022-11-09 Sabrina Melcher, Chiara Zuanni
Developments in the digital field have introduced new opportunities not only for museums to engage with their visitors, but also for researchers to learn about visitors’ experiences through their online behaviour. This article discusses how the mediation and perception of exhibited photographs in museums can be researched through an analysis of Instagram posts, using text-mining methods. A case study
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Optical Survey: Anthropocenean Consciousness of the Photographic Image Visual Resources (IF 0.3) Pub Date : 2022-10-18 Stephanie Polsky
Early forms of photography play a unique role in establishing an Anthropocenean consciousness in the mid-nineteenth century that witnesses human relationships with nature as exclusively transactional, by centring its focus on the violent displacement of people from their contexts simultaneous to the violent displacement of objects from their contexts. Such practices of perception were co-constituted
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Diffracting Digital Images in the Making Visual Resources (IF 0.3) Pub Date : 2022-10-10 Ian Dawson, Ing-Marie Back Danielsson, Andrew Meirion Jones, Louisa Minkin, Paul Reilly
This paper presents a diffractive dialogue between ethnographic accounts of imagery, digital or computational imaging, and art and archaeology practices. It develops the notion of images in the making in the context of the digital domain, to discuss what an image is and can be today. It focuses on two digital imaging techniques developed within archaeology and cultural heritage – reflectance transformation
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Decolonizing Central Europe: Czech Art and the Question of ‘Colonial Innocence’ Visual Resources (IF 0.3) Pub Date : 2022-09-20 Matthew Rampley
The recent call to decolonize art history and the institutions of art have largely focused on the legacies of the major European and American colonial powers, such as Britain, France, Spain and the United States. Positioning Europe at the heart of modernity/coloniality prompts questions to do with how to place the states and cultures of east central Europe, none of which had colonial territories or
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Interactive art as reflective experience: Imagineers and ultra-technologists as interaction designers Visual Resources (IF 0.3) Pub Date : 2022-05-19 Marianna Charitonidou
The article investigates how the use of extended reality technologies and interactive digital interfaces have affected the design of exhibition spaces. Its main objective is to shed light on how these technologies have influenced the ways in which immersive art installations are conceived and experienced. Particular emphasis is placed on the impact of interactive technologies on how visitors experience
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Stefano Bardini’s Photographic Archive, “il Bel Paese”, and the Golden Age of Italian Art Visual Resources (IF 0.3) Pub Date : 2022-04-28 Anita F. Moskowitz
This paper suggests that Bardini’s campaign to demonstrate the value of Early Modern Italian art and artifacts when that culture was disdained followed upon the heels of Alinari’s mission of the 1850s onward to document every monumental and scenic site in Italy, including people and customs. Both agendas were promoted through photography. By dispersing images of “il Bel Paese” and its inhabitants,
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“Gamer Citizens”: Emojis as Civic Duty in a Circuit of Visual Culture Visual Resources (IF 0.3) Pub Date : 2022-04-25 Ilya Brookwell
This paper is a practical and theoretical look at the notion of “emojis as civic duty.” I frame the discussion in terms of an “emoji code” that goes beyond an evolution of natural languages to integrate more fundamentally into specific experiences, particular communities, and a networked regime of images. I introduce Stuart Hall’s “circuit of culture” as an alternative theoretical frame to prevailing
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The Canada Pavilion at the Venice Biennale Visual Resources (IF 0.3) Pub Date : 2022-03-30 Marie Tavinor
Published in Visual Resources: an international journal on images and their uses (Vol. 36, No. 4, 2020)
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The Visual Cultures of the Virus Visual Resources (IF 0.3) Pub Date : 2022-02-15 Phaedra Shanbaum, Lee Weinberg
(2020). The Visual Cultures of the Virus. Visual Resources: Vol. 36, Special issue: The Visual Cultures of the Virus. A Special Issue on the Visual Representation of Covid-19, pp. 215-217.
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#isolationartviews Visual Resources (IF 0.3) Pub Date : 2022-02-15 Andy Ash
#isolationartviews photographically documents views from a Brighton window over 60 days of the UK first Covid national lock down. It records, reflects and comments upon the social interactions and routines of a seagull, local people and visitors to the artists block during the period of isolation.
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“I Wish I Could Have Been With You”: Imagining Digital Tenderness in 2 Lizards Visual Resources (IF 0.3) Pub Date : 2022-01-25 Hilde Nelson
The COVID-19 pandemic has profoundly reframed our ability to connect in bodily, physical ways, prompting a retreat to the digital. Artist Meriem Bennani and filmmaker Orian Barki offer a vessel for this escape in their series 2 Lizards, released in eight episodes in the early stages of the pandemic. Set in a New York populated by animal surrogates, the animated series showcases the eponymous lizards
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Giving the Virus a “Realistic Feel”: COVID-19 and the Rhetoric of Medical Models Visual Resources (IF 0.3) Pub Date : 2022-01-25 Ashley Lazevnick
This article situates the digital model of SARS-CoV-2 within a longer history of imagining technologies that have given visual form to scientific phenomena. Using the Protein Data Bank of three-dimensional models, medical illustrators constructed a model of the protein-spiked virus. What does it mean to make something invisible to the naked eye tangible? What is the place of emotion, affect, and persuasion
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The Image of Collaboration: Mediation and Enervation under Lockdown Visual Resources (IF 0.3) Pub Date : 2022-01-25 Eleanor Dare, Alexandra Antonopoulou
Throughout the pandemic and in conditions of ‘lockdown’, in which the authors could not meet in person, Alexandra Antonopoulou and Eleanor Dare adapted their long-term collaborative writing project, The Phi Books (2008–), to the constraints of pandemic quarantine, in the second lockdown deploying their own chatbot and AI image generator as new collaborators. Given the complexity of such a mediated
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Covid-19 Cartooning as Critique: An Analysis of Select Webcomics of Rachita Taneja and Satish Acharya Visual Resources (IF 0.3) Pub Date : 2021-12-16 Neha Yadav
For Indian citizens, 2020 was not just the year of a global pandemic. It was also the year that brought home the fact that the world's largest democracy is slowly but surely crumbling under the stewardship of a far-right government that has been stoking communal tensions, eroding civil rights and hollowing out the economy from within. The administration's handling of Covid-19 has been marked by a trademark
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Keep Your Distance, Wear a Mask and Stay Safe: The Visual Language of Covid-19 Print-Based Signage Visual Resources (IF 0.3) Pub Date : 2021-12-07 Danah Abdulla
A pandemic introduces multiple factors that must be communicated to the public. The coronavirus outbreak has demonstrated the necessity of effective risk communication during a global pandemic and the importance of communication design within this process. Since March 2020, official and ad-hoc signage reminding the public to keep their distance, wear a mask, stay safe and stay at home have become ubiquitous
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Viral Imagery: The Animated Face of Covid-19 Visual Resources (IF 0.3) Pub Date : 2021-10-12 Nea Ehrlich
Animated informational imagery about Covid-19 has become omnipresent; so too have imaginative depictions of how life has changed under lockdown, animating both the psychological and physical aspects of life in quarantine. This article examines the reasons why animation is an apt visual language to engage with Covid-19 and the wider epistemological and ethical issues that this raises about animated
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Cultures of Digitization: A Historiographic Perspective on Digital Art History Visual Resources (IF 0.3) Pub Date : 2021-09-30 Anna Näslund Dahlgren, Amanda Wasielewski
Art museums began using computers to help organize, catalogue, and coordinate their collections as early as the 1960s. In more recent times, art historians have consolidated the use of digital tools in the discipline within the emerging field of Digital Art History (DAH). In this historiographic study, we set out to understand DAH through an analysis of existing scholarship in the field. Our method
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The Nude in the Album: Materiality and Erotic Narrative Visual Resources (IF 0.3) Pub Date : 2020-04-02 Heather Waldroup
This article considers two compilations containing photographs of undressed women. The first is an album in the standard definition, “compiled by a painter for figure studies” in the 1890s. The second is an extra-illustrated book published in 1896 with a number of images of nude and partially nude women glued in to the text. In both, the inclusion of nude photographs heightens their function as suggestions
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Catastrophes on Stage: Interurban Connections in Disaster Prints of the Late Eighteenth Century Visual Resources (IF 0.3) Pub Date : 2019-11-11 Hanneke van Asperen
Prints depicting disasters were produced to create visible and explicit markers of memorable events. In this essay, a print with an allegory of a fire in Amsterdam’s Schouwburg theatre is used to investigate this particular function of disaster prints, first by looking closely at the iconography and then at the larger network of disasters that were used as points of reference after the fire. The print
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British Museum Ethnographic Photography at the 1936 International Surrealist Exhibition Visual Resources (IF 0.3) Pub Date : 2019-10-28 Lauren Walden
As part of the 1936 International Surrealist Exhibition held at the New Burlington Galleries in London, ethnographic photographs of non-Western objects were taken at the British Museum and interspersed amongst Surrealist artwork. Ten photographs in total were used, spanning Solomon Island Fish Coffins to Congolese Nail Fetishes. The article analyses these photographs as sculptures and in terms of their
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The Letter as Presence, Process, and Partnership: Mergers of Message and Medium in the Medieval Initial Visual Resources (IF 0.3) Pub Date : 2019-10-23 Erika Loic
In light of recent research into the iconicity and materiality of script, I review a particular type of decorated initial that incorporates images of dialogue, authorship, and scribal practice. Monastic scribes reflected on the forms of divine communication by integrating message and medium into their letter designs, many of which were self-reflexive and visually dynamic. Their inventive creations
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Art and the Periphery and Foteini Vlachou: Exploring the “Difference Within” in European and Western Art Visual Resources (IF 0.3) Pub Date : 2019-10-02 Barbara Pezzini
This special issue of Visual Resources builds upon the research of Foteini Vlachou (1975–2017). Vlachou intended to be Art and the Periphery’s Guest Editor, but the project was tragically interrupted by her death and this volume is now published in memoriam. Even if recent studies on the periphery have focused principally on the Global South, Art and the Periphery follows Vlachou’s take on the subject
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The Occidentalist Imaginary of Istanbul Modern: A Case for Social Imaginaries in the Age of Global Contemporary Visual Resources (IF 0.3) Pub Date : 2019-07-10 Ayse H. Koksal
This article discusses the ways in which Occidentalism, as a dialogical making of Turkish modernity associated with a non-Western context, extends to the contemporary era as the social imaginary of the artistic field. The social imaginary, as defined by Charles Taylor, is the shared structure of meanings, and provides a basis for generating common practices while, at the same time, granting a sense
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Proudly Peripheral Visual Resources (IF 0.3) Pub Date : 2019-03-11 Tonje Haugland Sørensen
This article explores the relationship between center and periphery within Norwegian art at the turn of the century. It focuses on the Holmenkollen tourist hotel in Christiania (present-day Oslo) and the artists and architects involved in its construction. It shows how the relationship between the center/periphery is one of dynamic encounter and one where the relations of power are much more flexible
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Notes from the Periphery: History and Methods Visual Resources (IF 0.3) Pub Date : 2019-03-06 Foteini Vlachou
There is still no consensus on what (or when and where) the periphery is/has been. The centre–periphery opposition, criticised for its hierarchical and binary nature, has frequently been mapped onto the West–East divide, and scholars have questioned the applicability of the term from what it seems like a Eurocentric point of view. These notes reflect on the concept of periphery and its historiography
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Beyond the PDF: Expanding Art History Digitally with British Art Studies Visual Resources (IF 0.3) Pub Date : 2019-02-22 Baillie Card, Martina Droth, Tom Scutt, Sarah Victoria Turner
British Art Studies, a born-digital, open-access journal, co-published by the Paul Mellon Centre for Studies in British Art (PMC) and the Yale Center for British Art (YCBA), launched in November 2015. This article documents how and why British Art Studies was established and the ethos that has motivated the editorial team to always think “beyond the PDF” in creating a new digital publication for the
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Digital Art History Visual Resources (IF 0.3) Pub Date : 2019-02-22 Murtha Baca, Anne Helmreich, Melissa Gill
This introduction frames and situates this special issue of Visual Resources on the topic of digital art history, intentionally assembled five years after the journal’s previous digital art history issue with the goal of assessing the progress made in the field and encouraging more widespread adoption of digital methodologies. It sets forth the key themes of this issue: “thought pieces” on the state
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Digital Art History as the Social History of Art: Towards the Disciplinary Relevance of Digital Methods Visual Resources (IF 0.3) Pub Date : 2019-02-18 Paul B. Jaskot
Can we have a critical art history using digital methods? To answer this question, we need to ask what are the critical questions in art history that demand and are best suited to specific digital methods? This article argues that asking a critical question involves taking up the long art-historical tradition of the social history of art. Social art history is not satisfied with a social context for
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The Medieval Kingdom of Sicily Image Database Visual Resources (IF 0.3) Pub Date : 2019-02-18 Caroline Bruzelius, Paola Vitolo
The Medieval Kingdom of Sicily Image Database documents historic buildings, monuments, and their decoration in South Italy, a geographic area ravaged by war, earthquakes, volcanic eruptions, as well as the depredations of modern restoration and rampant urban growth. Our website and app are intended to help scholars, travelers, and local populations understand the appearance of historic monuments prior
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Reframing Art: Opening Up Art Dealers’ Archives to Multi-disciplinary Research Visual Resources (IF 0.3) Pub Date : 2019-02-13 Alan Crookham, Stuart Dunn
The archival resources digitally available to scholars have been transforming rapidly in the past few years, an evolution in evidence in museums and galleries as well as in the wider field of art history. This change was, at first, operational: as the use of the Internet becamemore widespread from the late 1990s onwards, museums, libraries and archives started to place their catalogues online. Then
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Computational Connoisseurship: Enhanced Examination Using Automated Image Analysis Visual Resources (IF 0.3) Pub Date : 2019-02-12 Margaret Holben Ellis, C. Richard Johnson
The feasibility of the application of image/signal processing for measuring, marking, matching, and sorting vast quantities of data derived from materials typically found in artworks is presented through four case studies. Different patterns produced by canvas weave structures, surface textures of historic photographic papers, chain line intervals in Rembrandt’s printing papers, and watermark variations
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Digital History Goes East: A Database Description of Cultural Heritage Assets: “Project Monuments and Artworks in East Central Europe Research Infrastructure” Visual Resources (IF 0.3) Pub Date : 2019-02-11 Emilia Kłoda, Ksenia Stanicka-Brzezicka
The project “Monuments and Artworks in East Central Europe Research Infrastructure” exemplifies introducing methods and tools of digital humanities to art-historical problems in multilingual and culturally diverse milieu. East Central Europe is a region with historically changing borders and different national cultures of knowledge. For such a region, a proper transnational scientific infrastructure
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Digital Art History: The Questions that Need to Be Asked Visual Resources (IF 0.3) Pub Date : 2019-02-11 Nuria Rodríguez-Ortega
This paper provides a critical overview of the evolution of the field of digital art history since the 2013 special issue of Visual Resources dedicated to digital art history. I particularly review the narratives and results that have been generated during the development of this specific field of research, examining to what degree these can or should be re-evaluated in light of the post-digital society
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Digital Tools and Technical Views: The Intersection of Digital Art History and Technical Art History in a Digital Archive on the Painting Technique of Caravaggio and His Followers Visual Resources (IF 0.3) Pub Date : 2019-02-11 Marco Cardinali
Digital art history is currently moving into a new phase. As a result of the ongoing digitization of artifacts and the creation of large digital repositories that bring together literary sources, images, as well as historical and technical data, new perspectives point to data mining and data/image processing. This article reviews some of the main data and image bases that deal with technical and material
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Digital Art History and the Museum: The Online Scholarly Collection Catalogues at the Art Institute of Chicago Visual Resources (IF 0.3) Pub Date : 2019-02-11 Genevieve Westerby, Kelly Keegan
This article considers the various ways that the Art Institute of Chicago’s digital scholarly collection catalogues engage with art history in the digital realm. Since 2009, when the Art Institute of Chicago (AIC) was invited by the Getty Foundation to participate with a group of other museums to create a platform for museum collection catalogues online, the AIC has been a leader in this growing field
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Slow Digital Art History in Action: Project Cornelia’s Computational Approach to Seventeenth-century Flemish Creative Communities Visual Resources (IF 0.3) Pub Date : 2019-02-11 Koenraad Brosens, Jan Aerts, Klara Alen, Rudy Jos Beerens, Bruno Cardoso, Inez De Prekel, Anna Ivanova, Houda Lamqaddam, Geert Molenberghs, Astrid Slegten, Fred Truyen, Katlijne Van der Stighelen, Katrien Verbert
This paper presents the rationale, genesis, and applications of Project Cornelia, an ongoing computational art history project developed by a cross-disciplinary team at the KU Leuven (University of Leuven). It shares practical perspectives acquired while conceptualizing and unfolding the project and discusses successes as well as challenges and setbacks. In doing so, this paper is a cautionary tale
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Bridging the Research/Teaching Divide with DAH and SoTL-AH Visual Resources (IF 0.3) Pub Date : 2019-01-30 Virginia B. Spivey, Renee McGarry
This paper explores the potential for rigorous pedagogical scholarship to complement developments in digital art history (DAH). In addition to introducing ideas and methods that characterize scholarship of teaching and learning (SoTL) in higher education, we focus on two major themes: how digital tools and techniques can support robust scholarship of teaching and learning in art history (SoTL-AH) and