This article explores the relationship between center and periphery within Norwegian art at the turn of the century. It focuses on the Holmenkollen tourist hotel in Christiania (present-day Oslo) and the artists and architects involved in its construction. It shows how the relationship between the center/periphery is one of dynamic encounter and one where the relations of power are much more flexible than the traditional notion of the center dictating the terms. Moreover, it highlights how Norwegian artists through their work and writing reflected on their role as belonging to a peripheral art nation and illustrates how they found ways to make this peripheral identity a well of artistic creativity and the base for an artistic pride.

中文翻译：

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骄傲的周边

本文探讨了世纪之交挪威艺术的中心与边缘之间的关系。它专注于克里斯蒂安尼亚（今奥斯陆）的霍尔门科伦旅游酒店以及参与其建设的艺术家和建筑师。它显示了中心/外围之间的关系如何是一种动态相遇，并且权力关系比传统的中心决定术语的概念灵活得多。此外，它突出了挪威艺术家如何通过他们的作品和写作反映他们作为边缘艺术国家的角色，并说明他们如何找到方法使这种边缘身份成为艺术创造力的源泉和艺术自豪感的基础。