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El fantasma de Helena en Noli me tangere de Andrea Camilleri. El uso del mito clásico para la creación de una novela policíaca International Journal of the Classical Tradition (IF 0.3) Pub Date : 2024-09-16 Rosario López Gregoris
This paper analyses Andrea Camilleri’s use of poems allegedly written by the Greek poet Stesichorus, to develop a detective plot in the novel Noli me tangere. The figure of Stesichorus and his poems about Helen of Sparta serve the Italian writer, firstly, to justify, almost in autobiographical terms, the Greek poet’s first slanderous poem about Helen and the obligatory palinode to restore Helen’s honour
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Science, Life, and Art in Nietzsche’s Notes for ‘We Philologists’ International Journal of the Classical Tradition (IF 0.3) Pub Date : 2024-08-19 Neriojamil Palumbo
The study retraces Nietzsche’s 1875 notes for the planned but never published Unfashionable Observation, We Philologists, through a specific focus on the topics of science, life and art in their close and seldom discussed interrelation. The questions that the investigation addresses are: what is the significance of Nietzsche’s problematisation of science in We Philologists for our interpretation of
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The Road Not Taken: Dante’s First Eclogue and Virgil’s Career International Journal of the Classical Tradition (IF 0.3) Pub Date : 2024-07-29 Syrithe Pugh
Near the end of his career, Dante wrote two eclogues, instigating a literary fashion which was to outlast the Renaissance. These poems—Dante's only known compositions in Latin verse—were prompted by a verse epistle from Giovanni ‘del Virgilio’, in which the humanist scholar goaded Dante to compose a martial epic in Latin celebrating contemporary Italian military victories, which would prove him a worthy
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Mitología Griega y Discurso Ecológico International Journal of the Classical Tradition (IF 0.3) Pub Date : 2024-07-22 Jesús Muñoz Morcillo
This article explores the use of Greek mythology in current ecological discourse. In Classical Studies, specifically in Classical Tradition studies, the ecocritical revision of Greco-Latin texts and their survival is still in its infancy. The ecological question is usually approached as a reconstruction of notions and uses of nature, with little reference to the contemporary philosophical and cultural
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Aristophanes Redivivus: le Nuvole e il loro primo traduttore occidentale International Journal of the Classical Tradition (IF 0.3) Pub Date : 2024-07-16 Micol Muttini
Aristophanes’s plays, unknown to the Latin Middle Ages, were recovered in Renaissance Italy at the dawn of the Quattrocento. Latin versions were the principal form in which Aristophanes was introduced into the high Latin culture of the Western world. Thanks to the humanist Latin translations of the plays, scholars gained access to the Greek text of Aristophanes, who figured prominently in the educational
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Senioris visio: C. G. Jung’s Refiguration of Philemon International Journal of the Classical Tradition (IF 0.3) Pub Date : 2024-07-03 Fabiana Lopes da Silveira
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Revisiting a Sixteenth-Century ‘Erotic’ Poem Wrongly Ascribed to Elizabeth Dacre International Journal of the Classical Tradition (IF 0.3) Pub Date : 2024-07-01 Aron L. Ouwerkerk
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Rewriting Catullus 63 in Renaissance Italy International Journal of the Classical Tradition (IF 0.3) Pub Date : 2024-05-31 Giandamiano Bovi
The article focusses on two Renaissance reinterpretations of Catullus 63, one of his least imitated poems in Italy during that period. I deal with the poetic reinterpretation of Catullus’ lines and the reshaping of his choice of metre and genre. I start with a poem by Marullus that defined the way Catullus 63 was later imitated; I continue with the description of a unique reshaping of Catullus’ Attis
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Aristotle and Utopia International Journal of the Classical Tradition (IF 0.3) Pub Date : 2024-05-22 Antonio Donato
Aristotle and utopia may seem an odd combination. Anthologies of utopian texts do not contain passages from Aristotle’s writings. He also typically does not feature in histories of utopia. Nonetheless, a close reading of the Politics reveals that Aristotle had an extensive and rather distinctive interest in the enterprise of imagining utopias or ideal cities. The peculiarity of his exploration of utopia
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Lewis Carroll y Apuleyo. Alicia/Psique en el País de las Maravillas: una catábasis sui géneris International Journal of the Classical Tradition (IF 0.3) Pub Date : 2024-05-22 Manuel Antonio Díaz Gito
This paper attempts to interpret Lewis Carroll’s Alice’s Adventures in Wonderland as an example of the classical motif of the ‘katabasis’ or descent into the Underworld, a descensus ad Inferos sui generis, conditioned by having its origin as a fairy tale intended for the entertainment of a child reader (descensus ad Terram Mirabilem): this tale would have as its matrix reference the similar vicissitude
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Liber eram. A Propertian Motif in Late Fifteenth-Century Latin Poetry International Journal of the Classical Tradition (IF 0.3) Pub Date : 2024-05-13 John Nassichuk
This paper traces the history and evolution of humanist re-use of the first couplet of Propertius’s elegy 2, 2, from Gregorio Tifernate’s Poemata to the end of the Quattrocento. Continued re-use of the couplet, or of its constituent elements, make it a veritable commonplace at a time when collections of loci communi were first coming into existence as ordered and consciously prepared works. The attraction
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‘I Enter the Future with the Memory of the Past’: José Rizal, the Philippines and Classical Antiquity International Journal of the Classical Tradition (IF 0.3) Pub Date : 2023-08-03 Andreas T. Zanker
This article surveys the presence of classical antiquity in the writing of José Rizal (1861–1896), the national hero of the Philippines. It first discusses Rizal’s Jesuit education and considers an example of his early fiction, The Council of the Gods (El consejo de los dioses, 1880), before outlining the employment of Latin and classical references in his two major novels, Noli me tángere and El filibusterismo
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‘Shut Up! You Can’t Even Read Latin!’ Ancient Greek and Roman Material in Natsume Sōseki’s I am a Cat International Journal of the Classical Tradition (IF 0.3) Pub Date : 2023-07-22 James R. Townshend
This paper examines the sources and literary function of references to the ancient Greeks and Romans in the Japanese author Natsume Sōseki’s first novel, I am a Cat, written and published from 1905 to 1907. It places Sōseki and his work in the context of Meiji Japan and its renewed engagement with the West. The paper shows how Sōseki was uniquely placed to reflect on this engagement, particularly its
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I Speak Because I Can: Rewriting Ovid’s Rapes in 21st-Century Folk-Pop International Journal of the Classical Tradition (IF 0.3) Pub Date : 2023-07-13 Elina Pyy
This article discusses the representation of sexual violence in Ovid’s Metamorphoses and the ways in which Ovid’s narratives have been reworked within the contemporary tradition of feminist revisionist mythology. I discuss five different myths from the Metamorphoses (Eurydice, Persephone, Cassandra, Philomela, and Ganymede) side by side with their modern variants in 21st century folk-pop songs by Anaïs
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Video Games as Mythology Museums? Mythographical Story Collections in Games International Journal of the Classical Tradition (IF 0.3) Pub Date : 2023-05-24 Alexander Vandewalle
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Memnon in the Middle Ages: The Reception of a Homeric Hero International Journal of the Classical Tradition (IF 0.3) Pub Date : 2023-04-03 Trevor Dean
Memnon, the mythic king of Ethiopia killed by Achilles during the Trojan War, had a double or fused identity in classical antiquity: both Asian and African for Greek and Roman writers because of his parentage and because of the geographical indeterminacy of ‘Aithiopia’ and of ‘India’, but definitely black-skinned for Roman writers. How was this figure received in medieval texts and images? This paper
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Les Cent-Jours vus par Tacite dans un centon de 1815 International Journal of the Classical Tradition (IF 0.3) Pub Date : 2023-02-22 Guillaume Flamerie de Lachapelle
Using a technique that had been popular among polemicists since 1800, Alexandre de Beaurepaire de Louvagny, a nobleman from an emigrant family who sided with Louis XVIII from 1814 onwards, employed phrases borrowed from Tacitus to describe the ‘Hundred Days’, the period between Napoleon's return to Paris on 20 March 1815, after his exile on Elba, and the second restoration of King Louis XVIII to the
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The Classical ‘Traception’: Reconceptualizing Classics in Africa (With an Analysis of Fugard, Kani and Ntshona’s The Island) International Journal of the Classical Tradition (IF 0.3) Pub Date : 2023-02-03 William J. Dominik
Classics has been used for various social, cultural and political purposes on the African sub-continent. Part I highlights some theoretical considerations regarding the traditional models of the classical tradition and the classical reception in Africa. The idea of the classical ‘traception’ embraces the classical tradition through its suggestion of linear descendent and the classical reception through
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Trevet’s Medea: A Reading of Seneca’s Medea Through Nicholas Trevet’s Medieval Commentary International Journal of the Classical Tradition (IF 0.3) Pub Date : 2023-01-28 James H. Kim On Chong-Gossard
In 1314, the Oxford Dominican monk Nicholas Trevet was commissioned to write a commentary on Seneca’s tragedies. Trevet’s interpretation of character and plot in Seneca’s Medea differs in many ways from 21st-century classical scholars. Because Trevet relied on a single manuscript from the A tradition, he and his readers did not have access to a Senecan Medea who asks Jason whether he ‘recognizes his
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Prophecy Between Poetics and Politics from Al-Farabi to Leo Strauss International Journal of the Classical Tradition (IF 0.3) Pub Date : 2023-01-23 Peter Makhlouf
Judaeo-Arabic prophetology, as developed in the wake of Platonic and Aristotelian philosophy, was highly attentive to the kind of representational modes produced by divine revelation and their political use—but also their political precarity. By drawing on another corpus, less often discussed in this context, the Arabic commentaries on Aristotle's Poetics and Rhetoric, this study proposes to undertake
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Trojans in the Antipodes: The Fabrication of Epic Ancestry and Imperial Destiny in Colonial Australian Literature International Journal of the Classical Tradition (IF 0.3) Pub Date : 2023-01-20 Sarah Midford
When Europeans settled on the Australian continent, Britain’s connections to the Greco-Roman classical tradition were being actively promoted as an inherent component of the empire’s cultural heritage. Since the foundation of the Australian colony of New South Wales, comparisons between the British dominion and classical antiquity were made in the hope that one day soon the history and literature of
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Once and for All? A Philological Project On (and Off) the Clock International Journal of the Classical Tradition (IF 0.3) Pub Date : 2022-12-01 Christian Flow
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‘Some Myths Need to be Ripped Apart’ (Iizuka): The Violence of Reception and Reception of Violence in Naomi Iizuka’s Polaroid Stories: An Adaptation of Ovid’s Metamorphoses International Journal of the Classical Tradition (IF 0.3) Pub Date : 2022-11-30 Siobhan McShane
Naomi Iizuka’s Polaroid Stories (1997) combines a stage adaptation of selected tales from Ovid’s Metamorphoses with the stories of homeless young people. Iizuka’s use of these two sources in her play provides a new insight into Ovid’s treatment of the theme of sexual violence in the Metamorphoses as well as exposing the dangers faced by young people on city streets today. In particular, looking at
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‘Some Useful Hints for Improving the Elegance and Dignity of her Attire’: Thomas Hope and Henry Moses, Greek Vases and Neoclassical Fashion International Journal of the Classical Tradition (IF 0.3) Pub Date : 2022-11-08 Frances Van Keuren, Kristen Miller Zohn
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Who We Are and What We Owe: Reading Marisela Treviño Orta’s Woman on Fire as a Latine/x Antigone-Story International Journal of the Classical Tradition (IF 0.3) Pub Date : 2022-10-15 Kathleen Cruz
Marisela Treviño Orta’s Woman on Fire (2016) tells the story of a Chicana U.S. citizen haunted by the ghost of a Mexican woman who demands burial after having died attempting to cross the U.S./Mexico border. In this paper, I demonstrate how Treviño Orta’s play presents a uniquely Latine Antigone-story through its investigation into the realities of living and dead Chicane and Latine bodies. Woman on
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A New Cover Name for Latin Mercurius in Some Fifteenth-Century English Alchemical Recipes International Journal of the Classical Tradition (IF 0.3) Pub Date : 2022-08-27 Donata Bulotta
Anonymous alchemical poetry, which flourished during the fourteenth and fifteenth centuries in England, consisted of laboratory texts mainly concerning recipes and practical notes about the production of the philosophers’ stone or elixir. These texts, which are not part of the authoritative writings of the famous alchemists of the time, re-purposed the Opus in a prosaic and pragmatic way. They made
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Virgilian Elements in José Rodrigues de Melo's De rusticis Brasiliae rebus (1781) International Journal of the Classical Tradition (IF 0.3) Pub Date : 2022-08-25 Petra Matović
This brief survey of the context, structure and content of the De rusticis Brasiliae rebus (1781) highlights various aspects of Virgil's influence on José Rodrigues de Melo's four-book didactic poem.
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‘Pontifici dexter Caesaribusque meis’: Ambrogio Fracco’s Sacrorum Fastorum libri, Ovid’s Fasti and the Appropriation of March International Journal of the Classical Tradition (IF 0.3) Pub Date : 2022-07-26 Evan Loren Brubaker
Written by the Roman humanist Novidio Fracco during the first half of the 16th century and published subsequently in 1547, the Sacri Fasti is an elegiac poem modelled on Ovid’s own Fasti and structured upon the Catholic liturgical calendar. As a work of the Cinquecento, one of the more novel attributes of the poem is in its combination of Ovidian mythologizing with the contemporary political and religious
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Sir Richard Morison: An Early Reader of Cassius Dio in Tudor England? International Journal of the Classical Tradition (IF 0.3) Pub Date : 2022-07-21 C. T. Mallan
Scholars have suggested that Cassius Dio’s Roman History was among the Greek sources used by the 16th century polemicist Sir Richard Morison in two of his treatises from the 1530s. This short article shows that this is not the case. Rather, Morison can be seen to be borrowing from Seneca’s De Clementia and Politian’s Latin translation of Herodian’s History of the Empire after Marcus Aurelius. This
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‘Quomodo cantabimus canticum Domini in terra aliena?’ Jesuit Re-invention of Scriptural Commentary in a Newly Recovered Text from Seventeenth-Century Quito International Journal of the Classical Tradition (IF 0.3) Pub Date : 2022-05-21 Maria Giulia Genghini
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Edith Wharton’s The Reef: New York High Society & the House of Atreus International Journal of the Classical Tradition (IF 0.3) Pub Date : 2022-05-15 Mauro Lo Dico
Edith Wharton’s reputation as the grande dame of American letters rests largely on her imaginative prose fiction about Gilded Age New Yorkers, whose vices it subtly, yet scathingly, criticizes. In her most autobiographical novel, The Reef, she satirizes members of her society, including her own family and familiars, through characters who not only resemble them but also, for added effect, assume the
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Anna Maria van Schurman, Letters and Poems to and from Her Mentor and Other Members of Her Circle, ed. and transl. Anne R. Larsen and Steve Maiullo (The Other Voice in Early Modern Europe: The Toronto Series, vol. 81), New York and Toronto: Iter Press, 2021, pp. xxiii + 408. ISBN: 978-1649590121, $65.95 International Journal of the Classical Tradition (IF 0.3) Pub Date : 2022-04-16 Aron Ouwerkerk
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Euhemerism and Its Uses: The Mortal Gods, ed. Syrithe Pugh (Routledge Studies in Renaissance and Early Modern Worlds of Knowledge, 19), London and New York: Routledge, 2021, pp. X + 336, ISBN: 978-0-367-55699-0, £120/US$160 International Journal of the Classical Tradition (IF 0.3) Pub Date : 2022-03-11 Benjamin Garstad
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The Iliads of Pindar and Nepos: Codices, Canons and Misattributions in Medieval and Early Modern Scholarship International Journal of the Classical Tradition (IF 0.3) Pub Date : 2022-02-19 Frederic Clark
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Classical Traditions and Internal Colonialism in Early Eighteenth-Century Mexico: Text, Translation, and Notes on Three of Villerías’ Greek Epigrams. International Journal of the Classical Tradition (IF 0.3) Pub Date : 2022-01-27 Bernardo Berruecos Frank
This essay analyses three epigrams, that are among the only original compositions known to us so far written in ancient Greek in New Spain, composed by the largely unknown eighteenth-century Mexican poet José de Villerías y Roelas and transmitted only through a single largely unpublished manuscript. I present an edition, a translation, and an analysis of Villerías’ compositions, focussing mainly on
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Virgil’s Homer as Tautological Reception in Gabriel Pereira de Castro’s Ulisseia, ou Lisboa Edificada (1636) International Journal of the Classical Tradition (IF 0.3) Pub Date : 2022-01-17 Adriana Vazquez
The seventeenth-century epic poem, the Ulisseia ou Lisboa Edificada, of Gabriel Pereira de Castro, presents a complex intervention in the project of nationalist mythmaking for the Portuguese empire using the lexicon of antique reception, and especially the literary tradition as exemplified by Camões’s The Lusiads, published in 1572. The poem narrates the foundation of Lisbon by Odysseus and is framed
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Sicily, the Classical Tradition and Interpretative Possibilities in John Barclay’s Argenis International Journal of the Classical Tradition (IF 0.3) Pub Date : 2021-11-29 Parkes, Ruth
This article explores reasons for the choice of Sicily as the main backdrop for John Barclay’s 1621 Neo-Latin novel Argenis. It suggests that the selection of Sicily is driven in part by the interpretative possibilities raised by this location, in particular, those fuelled by controversies regarding the rational and mythic which were attached to the island. It focusses on the rationalizing and mythic
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Conversations: Classical and Renaissance Intertextuality, ed. Syrithe Pugh International Journal of the Classical Tradition (IF 0.3) Pub Date : 2021-11-29 Stephen Harrison
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Queering Telemachus: Ocean Vuong, Postmemories and the Vietnam War International Journal of the Classical Tradition (IF 0.3) Pub Date : 2021-10-10 Nguyen, Kelly
Previous studies on classical reception related to the Vietnam War have overlooked the experiences of Vietnamese communities, whether national or diasporic, as they focussed instead on those of American combat veterans. While that scholarship has yielded important insight, it nevertheless has contributed to the disremembering of Vietnamese people that is at the core of the dominant American subjectivity
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A Classical Source for Petrarch’s Conceit of the Binding Knot of Hair: Apuleius’s Metamorphoses International Journal of the Classical Tradition (IF 0.3) Pub Date : 2021-08-23 Caporicci, Camilla
The conceit of the beloved’s hair ensnaring and binding the poet’s heart and soul is common in Renaissance poetry and particularly widespread in the tradition of Petrarchan love lyric. The topos can be traced back to Petrarch’s canzoniere, or Rerum vulgarium fragmenta, in which Laura’s golden hair is often described in terms of knots and laces tying both the poet’s heart and soul. No classical antecedent
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What About a Flat Earth? Pierre Gassendi’s Reconstructions of Epicurus’s Atomic Motion and the Shape of the Earth International Journal of the Classical Tradition (IF 0.3) Pub Date : 2021-07-29 Coture, Jo
Epicurus’s opinion on the shape of the earth forms a delicate issue that has animated recent scholarship. Similarly, in the reconstruction of Epicurus’s philosophy by the French polymath Pierre Gassendi (1592–1655), the issue emerged under various guises. Interestingly, the question played a particularly puzzling role in Gassendi’s considerations of Epicurus’s atomic motion. By comparing the unpublished
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Cicero’s Topics of Invention in Fielding’s Preface to Joseph Andrews International Journal of the Classical Tradition (IF 0.3) Pub Date : 2021-06-30 Kirk Dodd
The unique six-page preface to Henry Fielding’s novel Joseph Andrews (1742) has generated great acclaim for supplying an adroit analysis of classical genres and the several subspecies of comedy in its proposal that his novel should be considered a ‘comic Epic-Poem in Prose’. Judith Frank has suggested that Fielding’s preface might be “at once the most assigned and [yet] least analyzed discussion of
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Spectres of Euripides: Time, Translation and Modernism in H.D.’s Euripides International Journal of the Classical Tradition (IF 0.3) Pub Date : 2021-06-24 Harry Strawson
The modernist period was one of intense engagement with antiquity. It was also a period concerned with radical ideas about time put forward by Henri Bergson and Albert Einstein that questioned traditional understandings of the relationship between past and present. This article considers these two aspects of the modernist period through H.D.’s translations of Euripides: it argues that H.D.’s equivocal
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Correction to: Fragments, Immersivity, and Reception: Punchdrunk on Aeschylus’ Kabeiroi International Journal of the Classical Tradition (IF 0.3) Pub Date : 2021-06-16 Emma Cole
A correction to this paper has been published: https://doi.org/10.1007/s12138-021-00596-1
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“Eros you know the story”: Psyche in five women poets International Journal of the Classical Tradition (IF 0.3) Pub Date : 2021-06-16 Emma McNeel,Sonia Sabnis
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The Marriage of Philology and Scepticism: Uncertainty and Conjecture in Early Modern Scholarship and Thought, ed. Gian Mario Cao, Anthony Grafton and Jill Kraye (Warburg Institute Colloquia, 33), London: The Warburg Institute, 2019, pp. x + 246, ISBN 9781908590565, £41.60 International Journal of the Classical Tradition (IF 0.3) Pub Date : 2021-06-10 Frederic Clark
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Bodies Out of Time: Sculpting Queer Poetics and Queering Classical Sculpture in the Poetry of C. P. Cavafy International Journal of the Classical Tradition (IF 0.3) Pub Date : 2021-05-28 J. L. Watson
Two major themes dominate the poetry of the Alexandrian poet, C. P. Cavafy: homosexual desire and Greekness, broadly defined. This paper explores the interconnectivity of these motifs, showing how Cavafy’s poetic queerness is expressed through his relationship with the ancient Greek world, especially Hellenistic Alexandria. I focus on Cavafy’s incorporation of ancient sculpture into his poetry and
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Johnny L. Bertolio, Il trattato De interpretatione recta di Leonardo Bruni (Fonti per la storia dell’Italia medievale. Antiquitates, 52), Rome: Istituto Storico Italiano per il Medio Evo, 2020, pp. CLXIII + 52, ISBN 9788831445009, €17 International Journal of the Classical Tradition (IF 0.3) Pub Date : 2021-04-01 Stefano U. Baldassarri
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Maren Elisabeth Schwab, Antike begreifen: Antiquarische Texte und Praktiken in Rom von Francesco Petrarca bis Bartolomeo Marliano (Quellen und Untersuchungen zur Lateinischen Philologie des Mittelalters, Band 22) International Journal of the Classical Tradition (IF 0.3) Pub Date : 2021-03-20 Ingo Herklotz
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Geoffrey Hill’s Sapphics: A Translator’s Perspective International Journal of the Classical Tradition (IF 0.3) Pub Date : 2021-03-08 Érico Nogueira
The various possibilities of scanning and enacting some Latin metres imply that modern poets or translators trying to reshape them in their own language have first and foremost to choose what to reshape. Though Latin metres govern syllabic duration, verse ictus and word accent, their modern equivalents tend to stick to ictuses or accents alone. The most prominent feature in the few exceptions to this
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Shopping Like a Satyr, Styling like a Nymph: Towards a History of Classical Reception in Consumption International Journal of the Classical Tradition (IF 0.3) Pub Date : 2021-02-06 Rhiannon Easterbrook
This essay argues that consumer culture is a medium through which the classical tradition becomes incorporated into everyday experience. It does this through a close examination of the Broadway musical The Pink Lady (1911), which plays with the theme of nymphs and satyrs and is set in a variety of commercial environments. This theme has been mediated by earlier responses to classical culture, and its
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The Reception of Petrarch’s Africa in Fascist Italy International Journal of the Classical Tradition (IF 0.3) Pub Date : 2021-02-05 Samuel Asad Abijuwa Agbamu
In his 1877 Storia della letteratura (History of Literature), Luigi Settembrini wrote that Petrarch’s fourteenth-century poem, the Africa, ‘is forgotten …; very few have read it, and it was judged—I don’t know when and by whom—a paltry thing’. Yet, just four decades later, the early Renaissance poet’s epic of the Second Punic War, written in Latin hexameters, was being promoted as the national poem
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Erysichthon Gets Fed: A Menu in Mary Zimmerman’s Metamorphoses International Journal of the Classical Tradition (IF 0.3) Pub Date : 2021-02-05 Robert S. Santucci
Scholarly attention to the Erysichthon scene in Mary Zimmerman’s Metamorphoses has been rather limited, but the scene is notable for Zimmerman’s innovation on both Ovid and his translator David R. Slavitt. Zimmerman designs a full course for Erysichthon, who has been stricken with an eternal hunger, to eat; this course has precedent neither in Ovid nor Slavitt. This is a notable addition considering
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Andrew Burnett, The Hidden Treasures of this Happy Island: A History of Numismatics in Britain from the Renaissance to the Enlightenment International Journal of the Classical Tradition (IF 0.3) Pub Date : 2021-03-13 William Stenhouse