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Дневник мыслей. Январь-февраль 1953 Russian Literature (IF 0.3) Pub Date : 2023-11-15 Алексей Ремизов
This publication consists of diary entries written in January and February 1953 by the well-known Russian modernist writer Alexei Remizov. The entries have not been published previously and appear in print for the first time in this Russian Literature publication.
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Review Article: New Russian Literary History Russian Literature (IF 0.3) Pub Date : 2023-10-13 Willem G. Weststeijn
The first “real” literary histories were written in the late eighteenth century; their heyday was in the nineteenth century (Positivism). As literary history became a mixture of biography, bibliography, description of sources and themes, and information on cultural, historical, and political background, it was criticized by the Russian Formalists, the Czech Structuralists, and the New Critics, who
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«Навь и явь» в «Дневнике мыслей» Алексея Ремизова. Январь – февраль 1953 г. Russian Literature (IF 0.3) Pub Date : 2023-09-21 Алла Грачева, Ольга Линдеберг, Любовь Хачатурян
In this introductory article, the authors contextualize Alexei Remizov’s diary entries of January–February 1953, which are published in this Russian Literature volume for the first time. Remizov kept a diary almost throughout his entire life. The authors explain Remizov’s method of conducting diary writing and the evolution of his diary entries. They analyze the correlation of sleep and wakefulness
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Rebellion Against the Church in the Name of Christ – Nikolai Leskov’s Rebel Priests and Russian Cultural Tradition Russian Literature (IF 0.3) Pub Date : 2023-09-15 Marta Łukaszewicz
The paper discusses an important figure of Nikolai Leskov’s numerous literary works: a clergyman who does not accept rules in force in the Church, as he regards them as obstacles to true religion and people’s relationship with Christ. This character is analyzed in the context of Christian understanding of categories of obedience and disobedience, their biblical sources, as well as older Russian spiritual
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Творчество и литературные стратегии Евдокии Ростопчиной в 1830-х – начале 1840-х годов sub specie концепции социального поля литературы Russian Literature (IF 0.3) Pub Date : 2023-08-25 Андрей Ранчин
Abstract not available
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Поэтика и политика периодического самиздата. Случай транспонанса Russian Literature (IF 0.3) Pub Date : 2023-07-20 Максим Лепехин
The article describes the position of the transfurist group within the field of Soviet unofficial culture and the way they used it to speak about the current state of the underground community. It shows that their self-positioning within this field as well as their overall aesthetic project were a reaction to their provincial status which marginalized them in the community. Apart from this, poets from
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Лирика цинического разума: трикстер как лирический субъект Russian Literature (IF 0.3) Pub Date : 2023-07-20 Марк Липовецкий
The article discusses manifestations of the trickster’s subjectivity in the works of contemporary Russian poets. While linking the trickster’s position in culture with Peter Sloterdijk’s discussion on cynicism/kynicism, the article suggests a typology of contemporary lyrical subjects developing different aspects of the trickster tradition, such as the imposter (illustrated by Prigov’s poetry), skomorokh
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My Dreams Become More and More Painful ... Ethical and Axiological Issues in Mikhail Bulgakov’s Drama Flight Russian Literature (IF 0.3) Pub Date : 2023-07-03 Beata Siwek
This article discusses ethical and axiological issues in the drama Flight by Mikhail Bulgakov. This work, changed and rewritten many times, remains overshadowed by his prose texts, although it is an original and multi-problematic text which rewards examination. Some characteristic features of Flight include combinations of various aesthetic conventions, transitions from dramatic tragedy to grotesque
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Память и забвение в современной русской прозе (Полина Барскова, Евгений Водолазкин, Мария Степанова) Russian Literature (IF 0.3) Pub Date : 2023-06-07 Danijela Lugarić Vukas
The article analyzes several contemporary Russian literary texts, Living Pictures (2014) by Polina Barskova, Aviator (2016) by Evgeny Vodolazkin, and In Memory of Memory (2017) by Maria Stepanova, in which, on the one hand, writing itself is a form of remembrance (literary creation equates to memory), and, on the other hand, memory establishes and manifests itself by overcoming multifaceted configurations
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Contact-Tracing War and Peace: A Critical Experiment in Social Network Analysis Russian Literature (IF 0.3) Pub Date : 2023-06-07 Richard Hughes Gibson, Monica Colón
The piece applies a novel approach to the social network analysis of fiction to Tolstoy’s sprawling masterpiece, War and Peace. We propose that an approach that prioritizes physical proximity provides an illuminating contrast to the typical methods for extracting social networks in fiction that are based on the proximity of character names within the text. In addition to its methodological argument
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Performing Infrastructure: The Cultural Biopolitics of the Russian State in Crimea Russian Literature (IF 0.3) Pub Date : 2023-05-29 Aleksandra Simonova
This paper explores the contested status of political sovereignty and the role of infrastructure in establishing political power in Crimea, a Ukrainian territory taken over by Russia in 2014. I analyze the complexities of the construction of the Crimean Bridge, a huge infrastructure project completed by Russia in 2019 to connect Crimea with Russia, along with the bridge’s practical and symbolic value
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On Tolstoy and Foucault: Intellectuals, Conscience, and the Entanglements of Bio-Power Russian Literature (IF 0.3) Pub Date : 2023-05-29 Vadim Shkolnikov
This paper examines the new understanding of power that emerges in the late works of Leo Tolstoy, as an early premonition of ideas subsequently elaborated by Michel Foucault, particularly his seminal conception of bio-politics. In works such as The Death of Ivan Ilyich (1886), The Kreutzer Sonata (1889), and particularly the novel Resurrection (1899), Tolstoy undertakes precisely the kind of “struggle
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Illness as Metaphor in Alexei Salnikov’s The Petrovs in the Flu and Around It Russian Literature (IF 0.3) Pub Date : 2023-05-08 Nataliya Karageorgos
This article explores the flu as an organizing motif and metaphor in Alexei Salnikov’s novel The Petrovs in the Flu and Around It, a recent best-seller and the 2017 laureate of the prestigious NOS(E) Award. In Illness as Metaphor, Susan Sontag argues that literature reads metaphorical meanings into diseases, and specific illnesses as metaphors dominate in particular eras. As the era of coronavirus
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Moscow Metro as the Leviathan: Corporeal and Political Infections Russian Literature (IF 0.3) Pub Date : 2023-04-12 Richard Boyechko
Since it was published, Dmitry Glukhovsky’s novel Metro 2033 (2005), in addition to sequels and other novels, has also jumped across media boundaries to spawn comic books and video games. The story takes place following a nuclear holocaust which has left Earth’s surface uninhabitable, condemning some survivors to eke out a life underground in the subway network. The novel’s basic narrative concerns
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New Time, New Name, New Balances: Editorial Russian Literature (IF 0.3) Pub Date : 2023-03-13 Ellen Rutten
The Russian Literature editorial team has decided that the time is ripe, first, for a modest change of journal policies and, second, for the less modest step of changing the journal name. In this editorial, editor-in-chief Ellen Rutten explains and contextualizes the two policy choices.
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Драматургия, театр, театральная критика в первой трети XX века Russian Literature (IF 0.3) Pub Date : 2023-03-08 Ольга Купцова, Анна Сергеева-Клятис
This thematic issue is focused on Russian theatre of the first third of the twentieth century. One of the main topics discussed is the correlation and mutual influence of theatre and literature in the broadest sense. Theatre’s new relationship with the literary foundation required the creation of acting techniques adapted for the “universal actor”. In the 1910s, theatre’s development attracted universal
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Будущее русского балета: взгляд из начала ХХ века Russian Literature (IF 0.3) Pub Date : 2023-02-09 Наталья Коршунова
At the end of the nineteenth century and the beginning of the twentieth many thought that ballet was in crisis. An opposition could be observed between the “old” classical ballet and the “new” ballet, represented in the first place by Michel Fokine and Alexander Gorskii. In books and magazines critics discussed what should happen to Russian ballet in the future. Many of these predictions were later
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П.П. Перцов. ‘Русская “комедия масок”’ (К юбилею Ревизора) Russian Literature (IF 0.3) Pub Date : 2023-02-09 Михаил Эдельштейн
Petr Pertsov’s previously unknown article, ‘A Russian “Comedy of Masks”’ (1911), written for the 75th anniversary of the premiere of Nikolai Gogol’s play The Government Inspector, is published here for the first time. Pertsov describes Gogol’s play as a Russian variation of commedia dell’arte.
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Синкопированный Гоголь. О фонографных записях Ревизора в постановке Вс. Мейерхольда Russian Literature (IF 0.3) Pub Date : 2023-02-02 Валерий Золотухин
The article provides commentary and background information on the audio recording of Nikolai Gogol’s “The Inspector General” directed by Vsevolod Meyerhold (1926). This performance was appreciated by contemporaries as one of the most significant works by the director and a striking achievement of 1920s Soviet theatre. The wax cylinder captured a dialogue between Khlestakov (Erast Garin) and Anna Andreevna
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Ревизор, откомментированный всем Гоголем. Александр Слонимский и Юлия Сазонова-Слонимская в полемике о мейерхольдовском спектакле Russian Literature (IF 0.3) Pub Date : 2023-01-31 Ольга Купцова
The discussion of Meyerhold’s “Revisor” (GosTIM, premiere – December 9, 1926) is an unprecedented case in European theatre of the first half of the twentieth century: no other theatrical event had such a breadth of public reaction. In the general controversy around the Meyerhold “Revisor”, the theatre-critical dialogue between the philologist and theatre critic of the Leningrad “Gvozdev school” Alexander
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The Non-final Cut: The Biopolitics of Necrorealist Cinema Russian Literature (IF 0.3) Pub Date : 2022-12-28 Ellina Sattarova
The article examines the biopolitical aspects of necrorealist cinematic experiments of the 1980s. Engaging in dialogue with Alexei Yurchak, who in his discussion of necrorealist biopolitics implicitly disavows the group’s cinematic efforts, the article shows that the “necro-” aspects of necrorealism emerged as a result of the group’s engagement with images. The cinematic medium, with its paradox of
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Действо о человеке абсурда: Кругом возможно бог А. Введенского Russian Literature (IF 0.3) Pub Date : 2022-12-21 Корнелия Ичин
This paper examines the dramatic text God May Be Around by Aleksandr Vvedenskii, which is viewed through the prism of the medieval mystery play. The structure of the text and the main motifs of the play are analyzed, and they reveal to us that this is a new type of the eschatological mystery play, created as a response to the apocalyptic changes in society after the Bolshevik Revolution. The categories
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Забытый отклик на татлиновскую постановку ЗАНГЕЗИ (антиконструктивистская рецензия опоязовца Бориса Казанского) Russian Literature (IF 0.3) Pub Date : 2022-12-21 Андрей Россомахин
In this article one of the forgotten reviews of Velimir Khlebnikov’s production of Zangezi performed by Vladimir Tatlin in 1923 is considered. The review belongs to the philologist Boris Kazansky, who was attached to OPOYAZ (Society for the Study of Poetic Language). The text of this review is republished for the first time and accompanied by a detailed commentary. Some occultist parallels to Khlebnikov’s
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Contagion and Conflagration in the Russian Literary and Transmedial Imagination. Introduction Russian Literature (IF 0.3) Pub Date : 2022-12-07 Julia Vaingurt
This cluster of articles examines Russian and Eastern European outbreak narratives and metaphors of infection. Together, these articles further the understanding of the cultural politics of contagion in Russia and Eastern Europe.
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Reforming Early-Twentieth-Century DANCE Theatre: Mikhail Fokin and Isadora Duncan Russian Literature (IF 0.3) Pub Date : 2022-11-23 Irina Sirotkina
The innovative choreographer Mikhail Fokin (Michel Fokine, 1880-1942) is often credited with reforming early-twentieth-century ballet theatre. In the first decade of the twentieth century he vehemently criticized traditional ballet for mechanistic virtuosity and lack of emotion. The reform he suggested was to introduce a new genre of one-act abstract ballet set to classical or romantic, non-dancing
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Comradely Exchanges: Aleksandr Bogdanov’s Physiological Collectivism and Community Reimagined Russian Literature (IF 0.3) Pub Date : 2022-11-17 Felix Helbing
This article examines Soviet theorist Aleksandr Bogdanov’s physiological collectivism, which builds around the idea of mutual blood exchange as a method of eroding borders between individuals to increase the resilience of the social organism as a whole; and reconceptualizes community as a network of material connections between the cells of said organism. The COVID-19 pandemic increased interest in
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The “Anarchic” Male Body in Contemporary Russian Poetry and the Construction of New Masculinities Russian Literature (IF 0.3) Pub Date : 2022-11-17 Александр Житенев
The second half of the 2010s to the beginning of the 2020s in the Russian context are associated with the active intervention of the state in the sphere of private life. In a situation of gender inequality, the male body is subjected to particularly strict regulation. The new normative masculinity is perceived by a significant part of society as illegitimate. In the public sphere, the conflict between
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“Прокол в вечность”. Андрей Белый и трансформация пьесы Сухово-Кобылина Дело в постановке Бориса Сушкевича (МХАТ II, 1928) Russian Literature (IF 0.3) Pub Date : 2022-11-17 Елена Пенская
This article analyzes the impressions of Russian poet Andrey Bely, who visited the dress rehearsal of the play The Case (Delo), written by Aleksandr Sukhovo-Kobylin and staged by Boris Sushkevich, at the Moscow Art Theater II. Bely shared his impressions in a letter to Razumnik Ivanov-Razumnik, writer, philosopher and literary critic, and a friend and interlocutor of Andrey Bely. In the mini-review
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Mise en Abyme as Visual Trope, Early Twentieth Century Russian Literature, and More Russian Literature (IF 0.3) Pub Date : 2022-11-17 Olga Matich
The mise en abyme trope was introduced into western criticism as a narrative concept of visual self-reflexivity in the arts by A. Gide in 1893, representing the relationship of a larger and smaller image or text in a work of art. My essay begins by considering the trope in its original artform of painting, primarily in the western baroque. But the essay’s main subject – one little studied in the Russian
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The Brown Plague and the White Sickness: Fascism and the Crisis of Democracy in Karel Čapek’s The White Sickness and Albert Camus’s The Plague Russian Literature (IF 0.3) Pub Date : 2022-11-17 Alfred Thomas
This essay examines two crucial examples of twentieth-century plague writing through a psychoanalytic and political lens, arguing that psychic repression lies at the heart of both Karel Čapek’s play The White Sickness, written on the eve of the Nazi invasion of Czechoslovakia, and Albert Camus’s novel The Plague, published ten years later in 1947 but begun in 1942 during the German occupation of France
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Apocalyptic Pandemic in Yana Vagner’s To The Lake Russian Literature (IF 0.3) Pub Date : 2022-11-17 Irina Souch
The article offers an analysis of Yana Vagner’s bestselling novel To the Lake (Epidemiia) focusing on the ways in which this speculative text reflects on contemporary apocalyptic anxieties and fascinations unleashed by the global COVID-19 pandemic. Following Priscilla Wald’s contention that over the last hundred-plus years the knowledge about epidemics within different realms has been shaped by the
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Ideas That Plague Us: Crime and Punishment as a Pandemic Narrative Russian Literature (IF 0.3) Pub Date : 2022-11-17 Irina Erman
This paper argues that the motif of illness runs through all of Crime and Punishment and accompanies key developments and themes to such an extent that the novel merits a reading as a plague, or pandemic, narrative. The paper examines imagery of illness and infection in Dostoevsky’s novel and analyzes the way this imagery is used to underscore the danger and the infectiousness of the ideas that Dostoevsky
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Библиотека, в которой одна полка: как можно было прочитать К. К. Вагинова в 1960–1980-е Russian Literature (IF 0.3) Pub Date : 2022-11-17 Dmitrii Mikhailovich Bresler
The article is devoted to the late-Soviet history of the legacy of Konstantin Vaginov: attempts at publishing his work, inaccessible foreign bilingual publications, special cases of acquaintance with his texts, and cases of reflection initiated by them. The methods of access to Vaginov’s work dictated an antiquarian type of reception of his texts, which functioned more as material traces of culture
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The Rhizome in and Around Sal'nikov’s The Petrovs in and Around the Flu Russian Literature (IF 0.3) Pub Date : 2022-11-17 Olga Seliazniova
As a rule, influenza is considered a dangerous infectious disease that spreads rapidly and chaotically. In his novel Petrovy v grippe i vokrug nego (The Petrovs in and around the Flu) (2016), Aleksei Sal’nikov undermines these notions by making a strong case for the salvific, albeit not immediately apparent, qualities of the flu. Much like the source of the viral infection that afflicts the Petrovs
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“Reading” Pathologic 2: Russian Literature as a Trans-Medial Idea Russian Literature (IF 0.3) Pub Date : 2022-11-17 Matthew Kendall
This article offers an analysis of a recent Russian computer game, Pathologic 2, which simulates an epidemic in a Russian provincial town. Unusually, the game has widely been called a “literary” experience by both its players and creators. By making use of theories of narration and mediation from Peter Brooks, Friedrich Kittler, and Patrick Jagoda, I ask whether the medium of the digital game can ever
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The Erotic of Self-harm(s): A Catastrophic Body in Daniil Kharms and Yakov Druskin Russian Literature (IF 0.3) Pub Date : 2022-11-17 Masha Semashyna
This article addresses the biopolitics of writing and the construction of the writing body as catastrophic in the notebooks of Daniil Kharms (1905–1942) and the essays by his friend philosopher Yakov Druskin (1902–1980) from the late 1920s and 1930s. I aim to show how their personal writings work as an auto-aggressive text, an act of textual self-harm and a form of freedom in a situation where resistance
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Introduction: Cultural Biopolitics in Russia Russian Literature (IF 0.3) Pub Date : 2022-11-15 Maksim Hanukai
This paper is the introduction to a cluster of articles on Cultural Biopolitics in Russia. After providing an overview of biopolitical theory and its recent applications to the study of Russian history and politics, the author introduces the notion of “cultural biopolitics” as a theoretical bridge between biopolitical theory and cultural studies. Culture is conceived as a realm of “soft” power in which
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Russian Actionism as Biopolitical Performance: Shifting Grounds and Forms of Resistance Russian Literature (IF 0.3) Pub Date : 2022-11-09 Maksim Hanukai
This article traces the development of Russian actionism through a biopolitical lens. Emerging in the 1990s as a public enactment of post-Soviet society’s regression from bios to zoē, actionism became more consciously biopolitical in the twenty-first century as a succession of artists sought to challenge the biopoliticization of life under Vladimir Putin. Focusing on the actions and statements of Voina
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The Science of Acting in the Russian Theatre at the Beginning of the Twentieth Century – From the Modern Epoch to the Avant-Garde Russian Literature (IF 0.3) Pub Date : 2022-10-12 Rose Whyman
K.S. Stanislavsky’s System remains the basis for actor training in conservatoires in the UK and more widely and Vs. E. Meyerhold’s Biomechanics is increasing in popularity as a training method in the twenty-first century. Both methods were rooted in scientific understandings from the modern epoch to the avant-garde, so it is important to question how this remains relevant to today’s practice. This
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Не (совсем) акмеистическая трагедия: Лаодамия Иннокентия Анненского и Юдифь Николая Недоброво Russian Literature (IF 0.3) Pub Date : 2022-10-11 Роман Мних
This article analyzes the intertextuality and motifs of the tragedies Laodamia by Innokenty Annensky and Judith by Nikolai Nedobrovo. These works reflect the main trends of Russian modernism: the interpretation of the world and European cultural heritage through Greek mythology and the Bible. Laodamia and Judith illustrate two different ways a classical text was received in the culture of the Silver
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В поисках симметрии. Андрей Битов и его последний роман Russian Literature (IF 0.3) Pub Date : 2022-10-10 Ольга Труханова
This paper aims to analyze the metanovel narrative strategies in the postmodern literary context, defined by the scientific outcomes of quantum physics. According to them the world is a system of integrated space and time which are mutually complementary. The symmetry of time and space in this sense becomes the groundplan for the structural components of Andrei Bitov’s last novel. Through these components:
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Мотив противостояния человека болезни COVID-19 в новейших стихотворениях Александра Городницкого, Дмитрия Быкова, Дмитрия Данилова Russian Literature (IF 0.3) Pub Date : 2022-10-04 Вавжинец Попель-Махницки, Бартош Осевич, Александр Распопов
Alexander Gorodnitsky, Dmitry Bykov, and Dmitry Danilov are among the first modern Russian poets to problematize and transfer into an aesthetic space the previously unknown disease that has spread across the whole world – COVID-19. Analysis of selected works has made it possible to highlight the general motif of human confrontation with the disease. The figurative system of the confrontation correlates
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“Вы не должны […] негодовать на Веру”: Письма М.Н. Шульгиной С.С. Татищеву Russian Literature (IF 0.3) Pub Date : 2022-09-23 Анна Сергеева-Клятис
In the period from autumn 1894 to spring 1896, while Vera Komissarzhevskaya was acting on the stage of the Vilna Theater (Nezlobin’s enterprise), her friendly relations with the high-ranking state dignitary, diplomat, and publicist Sergei Tatishchev began. Tatishchev offered to use his influence in theatrical circles to help Komissarzhevskaya sign a lucrative contract with the Alexandrinsky Imperial
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Между богами и я-богом: границы театра и театральности у Хлебникова Russian Literature (IF 0.3) Pub Date : 2022-09-23 Марио Карамитти
Khlebnikov’s dramaturgical texts – little-known, little-studied, and even less staged – are in a variety of genres and forms (poetry, prose, or a mix of both), and have a variety of themes and settings. They are united by Khlebnikov’s sustained interest in theatricality: the theatricalization of gestures, of one’s life and everyday behaviour, a sort of self-theatre. An overall interpretative key may
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Contagion and Disgust in Ivan Turgenev’s Fathers and Children Russian Literature (IF 0.3) Pub Date : 2022-09-20 Giulia Dossi
The dualistic pairs of romanticism/rationalism and nature/science have traditionally shaped readings of Turgenev’s Fathers and Children. This article, building on affect theory and theories of the grotesque, examines Bazarov as a character who does not fit into either model. As an outsider, he represents a threat of infection to all the other characters in the novel. His excessive, animalistic life
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Velimir Khlebnikov's “Christmas Tale” Snezhimochka Russian Literature (IF 0.3) Pub Date : 2022-09-15 Gabriella Elina Imposti
A wide range of dramatic forms can be found in Khlebnikov’s dramatic œuvre, which should be viewed against the background of Russian classical literature and culture, Symbolism, as well as the Futurist theatre of the time. In this paper I focus on Khlebnikov’s early dramatic work Snezhimochka (Snowflake, 1908) retracing its connections with the folk character of Snegurochka (the Snow Maiden) as she
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Тeaтр фарса по-русски: “Продолжательница” Сарду Н.А. Лухманова Russian Literature (IF 0.3) Pub Date : 2022-09-14 Татьяна Левицкая
Nadezhda Lukhmanova (1841-1907) was an important figure in the history of Russian farce theatre. She gained notoriety as a translator with the audience-winning comedy A Hero of the First Empire (1894, based on the play by Victorien Sardou and Émile Moreau Madame Sans-Gêne, 1893). Lukhmanova made a lot of changes to the play: it was not a translation but a retelling of the story, quite far from the
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Анонимная рецензия на Стихотворения А.С. Хомякова: Аполлон Григорьев или Ф.М. Достоевский? Russian Literature (IF 0.3) Pub Date : 2022-09-06 Василий Лурье
This article reconsiders the vexed question of the authorship of the anonymous review (published in the journal Vremia, 1861) of the book Poems by A.S. Khomyakov. The review dealt not only with Khomyakov’s poems but also with his oeuvre as a whole, including his theological works. Inductive logic was applied to the task of resolving the text’s attribution, as a comparison of the respective likelihoods
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Становление методологии “точного литературоведения” в работе Б.И. Ярхо Рифмованная проза драм Хротсвиты Russian Literature (IF 0.3) Pub Date : 2022-09-06 Марина Акимова
The subject of this article is the structure, key ideas, terms, and research methods of an unpublished monograph by Boris Yarkho, The Rhymed Prose of Hrotsvitha’s Plays. They are compared with the corresponding elements of Yarkho’s Methodology for a Precise Science of Literature, the most comprehensive exposition of his pre-structuralist and pre-digital approach to the history of literature. The article
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О происхождении и природе украинских ямбов в сравнении с русским стихом Russian Literature (IF 0.3) Pub Date : 2022-09-06 Евгений Казарцев, Арина Давыдова
This article studies the emergence and development of the iambic tetrameter in Ukrainian poetry. Its genesis and evolution are examined against the background of Russian metrical verse. The evolution of the Ukrainian iamb’s features is traced from 1761 to Taras Shevchenko. The main hypothesis of this study is that, despite a certain dependence on Russian models, the rhythm of Ukrainian verse develops
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Становление и эволюция белорусского 4-стопного ямба Russian Literature (IF 0.3) Pub Date : 2022-09-06 Татьяна Земскова, Евгений Казарцев
This article presents a study of the genesis and evolution of the Belarusian iambic tetrameter. A diachronic account of iambic patterns from the earliest samples to late-twentieth-century texts reveals a steady decomposition of the classical continental accentual-syllabic versification. The Belarusian iamb is studied alongside its apparent Russian sources in order to determine any possible comparative
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The Common Reader in Public Readings with Magic Lantern Slides in Late Imperial Russia Russian Literature (IF 0.3) Pub Date : 2022-04-01 Yana Agafonova
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«НАЧАЛЬНИК АВТОГРАФОВ». СЕМАНТИКА АЛЬБОМНОГО КОРПУСА А.Е. КРУЧЕНЫХ Russian Literature (IF 0.3) Pub Date : 2022-04-01 Елена Н. Пенская
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«И ВСЕ ТАК ХИТРО И ПРОСТО СДЕЛАНО…»: АЛЬБОМ «ЗЗЗУДО» АЛЕКСЕЯ КРУЧЕНЫХ Russian Literature (IF 0.3) Pub Date : 2022-04-01 Л.В. Хачатурян