In a crucial passage of Les Aventures de Telemaque , Fenelon identified Baetica with a form of sociability highly reminiscent of the Golden Age. Destined to leave a deep and controversial mark in the political and moral debates throughout the 18th century, that evocative image of the most elevated status of a material civilization removed from and impervious to luxury, the spirit of conquest and the logic of despotism, also mobilized the reflexive capacities characteristic of the Hispanic cultural order. In a steady and lengthy sequenced, analysed in the light of the corresponding epistemological uncertainties, of the morality of luxury, or of enquiry into origins, Fenelon’s Baetica was the object in Hispanic literature of very diverse and even contradictory readings. A diversity that illustrates the complexity and volatility of the relationship established at the time by that cultural order with the intellectual approaches disseminated and projected from the Republique des lettres .

中文翻译：

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贝蒂卡的图像。Les Aventures de Télémaque西班牙裔的矛盾接待

在 Les Aventures de Telemaque 的重要段落中，Fenelon 认为 Baetica 具有一种非常让人想起黄金时代的社交形式。注定要在整个 18 世纪的政治和道德辩论中留下深刻而有争议的印记，这种令人回味的形象，即物质文明的最崇高地位，不受奢侈、征服精神和专制逻辑的影响，也动员了西班牙文化秩序特有的反身能力。在一个稳定而冗长的序列中，根据相应的认识论不确定性、奢侈的道德或对起源的调查进行分析，Fenelon 的 Baetica 是西班牙裔文学中非常多样化甚至相互矛盾的阅读对象。