There are recurring themes in Zarrilli's long career of writing about the processes of performance, and his most recent book (Toward) A Phenomenology of Acting (2020) brings together these concerns in what could be seen as a culmination of his life's work – dissolving the boundaries between the studio, the stage and the theorization of these processes. We could look briefly over the entirety of his written contribution to theatre research – from his meticulous studies of kalaripayattu and kathakali dance drama, to his groundbreaking edited collection Acting (Re)considered and the innovative co-authored Theatre Histories to his monograph Psychophysical Acting (which won the ATHE Outstanding Book of the Year Award), as well as numerous other reflections on training and performance.

中文翻译：

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Phillip Zarrilli 的知识：“关于”、“在”、“为了”

在 Zarrilli 漫长的关于表演过程的写作生涯以及他最近的一本书中，有反复出现的主题（走向）表演现象学（2020 年）将这些担忧汇集到了他一生工作的高潮中——消除了工作室、舞台和这些过程的理论化之间的界限。我们可以简要地看一下他对戏剧研究的全部书面贡献——从他对戏剧研究的细致研究卡拉里帕亚图和卡塔卡利舞剧，他开创性的编辑收藏代理（重新）考虑和创新的合着者戏剧史对他的专着心理物理表演（获得了 ATHE 年度杰出图书奖），以及许多其他关于培训和表现的思考。