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Phillip Zarrilli's Knowledges: ‘About’, ‘In’, ‘For’
Published online by Cambridge University Press: 04 November 2020
Extract
There are recurring themes in Zarrilli's long career of writing about the processes of performance, and his most recent book (Toward) A Phenomenology of Acting (2020) brings together these concerns in what could be seen as a culmination of his life's work – dissolving the boundaries between the studio, the stage and the theorization of these processes. We could look briefly over the entirety of his written contribution to theatre research – from his meticulous studies of kalaripayattu and kathakali dance drama, to his groundbreaking edited collection Acting (Re)considered and the innovative co-authored Theatre Histories to his monograph Psychophysical Acting (which won the ATHE Outstanding Book of the Year Award), as well as numerous other reflections on training and performance.
- Type
- Remembering Phillip Zarrilli (1947–2020)
- Information
- Copyright
- Copyright © International Federation for Theatre Research 2020
References
NOTES
1 Zarrilli, Phillip, (Toward) A Phenomenology of Acting (London: Routledge, 2020)Google Scholar.
2 Zarrilli, Phillip, When the Body Becomes All Eyes: Paradigms, Discourses and Practices of Power in Kalaripayattu, a South Indian Martial Art (Delhi: Oxford University Press, 1998)Google Scholar; Zarrilli, Kathakali Dance-Drama: Where Gods and Demons Come to Play (London: Routledge, 2000); Zarrilli (ed.), Acting (Re)Considered: A Theoretical and Practical Guide (London: Routledge, 2002; first published 1995); Zarrilli, Phillip, McConachie, Bruce, Williams, Gary Jay and Sorgenfrei, Carol Fisher, Theatre Histories: An Introduction (London: Routledge, 2010; first published 2006)Google Scholar; Zarrilli, Phillip, Psychophysical Acting: An Intercultural Approach after Stanislavski (London: Routledge, 2009)Google Scholar.
3 Zarrilli, Phillip, ‘Negotiating Performance Epistemologies: Knowledges “About”, “In” and “For”’, Studies in Theatre and Performance, 21, 1 (2001), pp. 31–46CrossRefGoogle Scholar.
4 Ibid., p. 36.
5 Ibid.
6 Ibid., p. 31.
7 Ibid., p. 32.
8 Ibid., p. 35.
9 For example, see our co-authored book: Zarrilli, Phillip, Daboo, Jerri and Loukes, Rebecca, Acting: Psychophysical Phenomenon and Process (Basingstoke: Palgrave Macmillan, 2013)Google Scholar.
10 Zarrilli, ‘Negotiating Performance Epistemologies’, p. 33.
11 Ibid., p. 43. Emphasis in original.