Abstract:The tension between what is ‘auctorysed’ and what ‘som men say’ offers a glimpse into Malory’s sense of his authorship and reminds us that texts are places of interpretive activity. In addition, I reconsider William Caxton’s role as editor and problematize the role of authorial intention as the basis for the Field edition of 2013.

中文翻译：

---

“但这只是对制造商的青睐”：马洛里的《达瑟之死》中的撤回、版本和作者身份

摘要：“被拍卖”和“某些人说”之间的张力让我们得以一窥马洛里对其作者身份的看法，并提醒我们文本是解释活动的场所。此外，我重新考虑了威廉卡克斯顿作为编辑的角色，并对作为 2013 年 Field 版基础的作者意图的角色进行了质疑。