The article discusses the significance of the figure of Adam in the artistic philosophy of Acmeism (or Adamism). Particular attention is paid to the functioning of the image of biblical Adam in the works of Nikolay Gumilyov and Osip Mandelstam. Their texts present the first man not only as the epitome of the poet and bearer of an unclouded view of the world but also as a symbol of the balance between the earthly and the heavenly principles. For Gumilyov, Adam is also an example of manhood and fortitude. The poet creates an original Adamic myth re-evaluating the Fall as a test given to man by God. According to the plot of the myth, the purpose of human life is to seek and attain Paradise. Mandelstam turns to the image of Adam much less often encoding the ideas of Adamism by various means. The poet openly distances himself from the version of Adamism created by Sergey Gorodetsky sharing implicitly the ideas presented in the works of Gumilyov.

中文翻译：

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阿克梅主义的哲学基础：尼古拉·古米廖夫、奥西普·曼德尔施塔姆和亚当的形象

文章论述了亚当形象在阿克梅主义（或亚当主义）艺术哲学中的意义。在尼古拉·古米廖夫 (Nikolay Gumilyov) 和奥西普·曼德尔斯坦 (Osip Mandelstam) 的作品中，特别关注圣经中亚当形象的功能。他们的文本将第一个人类描述为诗人的缩影和清晰的世界观的承载者，而且是尘世原则与天国原则之间平衡的象征。对古米廖夫来说，亚当也是男子气概和刚毅的典范。诗人创造了一个原始的亚当神话，重新评估堕落是上帝对人类的考验。根据神话的情节，人类生活的目的是寻求和获得天堂。曼德尔施塔姆很少使用亚当的形象，以各种方式对亚当主义的思想进行编码。