Abstract.The threefold interest in architecture, biology and mathematics motivated us to examine and justify new architectural forms. We discuss some notions of rhythm: Euclidean, morphogenetic and morphologic. Contemporary relationships between structure and form are based on the generation of shape by technological processes, thus the resulting objects are restricted to their material expression. Here a phenomenological organisation of form and its continuity with the landscape arise out of the mathematical and architectural creativity. The use of the computer is applied from outside to inside instead from inside to outside; this means that we are dealing with the organisational processes via continuous methods instead of evolutionary processes given by computer simulations, known as genetic algorithms, where the resulting configurations are reduced to a matter of routine. The role of design as an aesthetic component innovates the theoretical framework of structural engineering to establish the architectural environments.

中文翻译：

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连续性与离散化

摘要：对建筑、生物学和数学的三重兴趣促使我们研究和证明新的建筑形式。我们讨论节奏的一些概念：欧几里得、形态发生和形态学。结构与形式的当代关系是基于技术过程对形状的产生，因此所产生的对象仅限于它们的物质表达。在这里，形式的现象学组织及其与景观的连续性源于数学和建筑的创造力。计算机的使用是由外向​​内应用，而不是由内向外应用；这意味着我们通过连续的方法处理组织过程，而不是计算机模拟给出的进化过程，称为遗传算法，最终的配置被简化为常规问题。设计作为美学组成部分的作用创新了结构工程的理论框架，以建立建筑环境。