This article thinks with disability theory and artistic praxis to explore how disabled artists repurpose and invent technologies in artistic processes designed to enact care and access, extend embodiment, satiate the senses, and create crip culture. Drawing on four examples, we claim that disabled artists are creative technologists whose non-normative culture-making practices approach accessibility as a transmethodological process that requires and generates new forms of interconnected technology and artfulness. Disabled artists, as “creative users,” change the uses and outcomes of technology, dis-using technologies in ways that lead to a more dynamic understanding of access and with it, of crip cultures as processual, artful, and political.

中文翻译：

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格格不入者遇上艺术与科技：打破跨方法论

本文通过残疾理论和艺术实践来思考，探讨残疾艺术家如何在艺术过程中重新利用和发明技术，旨在实现关怀和访问、扩展体现、满足感官并创造残疾人文化。借鉴四个例子，我们声称残疾艺术家是创造性的技术专家，他们的非规范文化创造实践将可访问性视为一种跨方法论过程，需要并产生新形式的相互关联的技术和艺术性。残疾艺术家作为“创造性用户”，改变了技术的用途和结果，以一种更动态的方式理解技术的使用和随之而来的残疾人文化的过程性、艺术性和政治性。