Aside from the obvious and central role of women in Iran's Woman, Life, Freedom (Zan, Zendegi, Azadi) uprising that began in the fall of 2022, two other (f)actors have played a crucial role in defining the movement's demands and propelling it forward, namely, students and music. University students have a long tradition of serving as righteous agitators of uprisings in Iran, both before and after the 1979 revolution, as does music in inspiring and soundtracking them. But in this arguably greatest ideological and political threat to the Islamic Republic since its founding, something unprecedented happened: the fusion of student activism and song in the form of a recognizable genre, unattached to a specific political ideology although fully supportive of the Woman, Life, Freedom uprising and its demands for liberation and freedom for all.

除了妇女在 2022 年秋季开始的伊朗“妇女、生命、自由”（Zan、Zendegi、Azadi）起义中发挥着明显的核心作用外，另外两名 (f) 参与者在确定该运动的要求和推动运动方面发挥了至关重要的作用它向前，即学生和音乐。无论是在 1979 年革命之前还是之后，大学生都有充当伊朗起义的正义煽动者的悠久传统，音乐在激励和配乐方面也是如此。但在这场可以说是伊斯兰共和国成立以来最大的意识形态和政治威胁中，发生了一些前所未有的事情：学生激进主义和歌曲以一种可识别的流派形式融合在一起，尽管完全支持女性、生命，但不依附于特定的政治意识形态。 ，自由起义及其对所有人的解放和自由的要求。