Building on Daniel Eltringham’s notion of the “kinetic commons,” this essay offers “meadowing” as an experiment in putting to creative-critical work the multi-sensory dreamscape of abundance, desire, exposure, and biodiversity signified by meadow. Through close readings of contemporary texts by Verity Spott, Tom Raworth, and Myung Mi Kim, and drawing on Sedgwick’s “reparative reading” and other critical concepts, it explores how meadowing works as a poethic practice. It proffers a lyric architecture whose fieldwork of study and dream is ongoing, whose bounds are messily incomplete, and whose orientations are improvisatory and immersive.

基于丹尼尔·埃尔特林厄姆（Daniel Eltringham）的“动态共享”概念，本文将“草地”作为一项实验，将草地所代表的丰富、欲望、暴露和生物多样性的多感官梦境投入到创造性批判性工作中。通过仔细阅读维里蒂·斯波特、汤姆·拉沃斯和明美·金的当代文本，并借鉴塞奇威克的“修复性阅读”和其他批判概念，它探讨了草地作为一种诗意实践的运作方式。它提供了一种抒情的建筑，其研究和梦想的田野工作正在进行中，其界限是混乱不完整的，其方向是即兴的和身临其境的。