Samuel Beckett’s corpus centres on the characterization, examination and imaginative exploration of the human mind, encompassing the realms of consciousness, cognition and perception. In his teleplays, this focus is distinctively achieved through the performances of different media, which this article refers to as ‘intermedial performativity’. This term not only designates the semiotic contents of performance in intermedial forms, but also highlights the cooperative performances of the material media themselves, along with their uncharted possibilities and effects. This article delves into the ways in which intermedial performativity in Beckett’s teleplays realizes several unique configurations of the human mind, such as its split state and its transfiguration to a posthuman condition. This exploration not only sheds light on Beckett’s artistic vision and cosmic ontology, but also brings attention to the reverberations and implications of intermediality for humanity and its potential transformations.

塞缪尔·贝克特的语料库以人类心灵的表征、检验和富有想象力的探索为中心，涵盖意识、认知和感知领域。在他的电视剧中，这种聚焦是通过不同媒介的表演来实现的，本文将其称为“媒介表演性”。这一术语不仅指代媒介形式表演的符号学内容，还强调物质媒介本身的协同表演，及其未知的可能性和效果。本文深入探讨了贝克特电视剧中的中间表演性如何实现人类思维的几种独特配置，例如其分裂状态及其向后人类状态的变形。这一探索不仅揭示了贝克特的艺术视野和宇宙本体论，而且引起了人们对中间性对人类及其潜在转变的影响和影响的关注。