Abstract:

Rational critique of one’s existential condition and questions of why, where, when, who, what dominate Morrison’s Song of Solomon. As she clearly shows in the novel, it is in finding answers to these questions that one is better able to deal with one’s existential condition and, where necessary, to make the transition from fragmentation to wholeness as a subject dealing with the history and experience of a racial formation that renders one either as an object or inferior other. In Song, the site of the exploration of these questions is the familial space and the marginal public constituted by black America, through which their unheard voices are given full play. Straddling the various familial spaces and marginal public is the novel’s protagonist, Milkman Dead, whose growth away from a selfish, materialistic young man Morrison tells magically as a bildungsroman, textual revision, and aesthetic cycle.

摘要：

对一个人的生存状况的理性批判以及为什么、何地、何时、何人、何事的问题主导了莫里森的《所罗门之歌》。正如她在小说中清楚地表明的那样，正是在寻找这些问题的答案时，一个人才能更好地处理自己的生存状况，并在必要时作为一个处理历史和经验的主题从支离破碎过渡到整体。一种将一个人视为客体或劣等他人的种族结构。在《宋》中，探讨这些问题的场地是美国黑人构成的家庭空间和边缘公众，他们的不为人知的声音通过这个空间得到充分发挥。小说的主角送奶工死了，跨越了各种家庭空间和边缘公众，他的成长远离了自私、