Focusing on the work of independent publishers in Lusophone Africa, this article investigates the strategies undertaken by the publishers to develop their catalog and run a publishing house in challenging environments. My examples will be drawn from ongoing initiatives by Filinto Elísio and Márcia Souto (Rosa de Porcelana, Cape Verde), Miguel de Barros and Tony Tcheca (Corubal, Guinea-Bissau), Abdulai Sila (Kusimon, Guinea-Bissau), Luiz Vicente (Nimba Edições, Guinea-Bissau/Portugal), Ondjaki (Kacimbo, Angola), Mbate Pedro, Jessemusse Cacinda, Sandra Tamele, and Dany Wambire (Cavalo do Mar, Ethale Books, Trinta Zero Nove, and Fundza, respectively, Mozambique). Although most scholarship on Luso-African writing has been devoted to the form and content of these literatures, there has been scant attention to the socio-history of publishers.

中文翻译：

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安哥拉、莫桑比克、佛得角和几内亚比绍的独立出版

本文以非洲葡语国家独立出版商的工作为重点，调查了出版商在充满挑战的环境中开发目录和经营出版社所采取的策略。我的例子将取自 Filinto Elísio 和 Márcia Souto（Rosa de Porcelana，佛得角）、Miguel de Barros 和 Tony Tcheca（Corubal，几内亚比绍）、Abdulai Sila（库西蒙，几内亚比绍）、Luiz Vicente（ Nimba Edições，几内亚比绍/葡萄牙）、Ondjaki（安哥拉卡辛博）、Mbate Pedro、Jessemusse Cacinda、Sandra Tamele 和 Dany Wambire（分别是 Cavalo do Mar、Ethale Books、Trinta Zero Nove 和 Fundza，莫桑比克）。尽管大多数关于葡非文学的学术研究都集中在这些文学的形式和内容上，但很少有人关注出版商的社会历史。