Abstract:

Based on a corpus of nine plays performed between 1870 and 1900, this article sets out to define the naturalist social drama, to determine its generic criteria, and to explore its representations of the working-class milieu, which involve an engagement with political discourse as well as a degree of theatrical innovation. While social struggle and working-class life correspond to the project of “living truth” carried out by naturalist theatre, they are also the object of a spectacularisation that seems to contradict, a priori, its ethno-sociographic ambition. The notion of spectacular realism is thus put forward as an effective way of thinking about the genre. (In French.)

摘要：

基于 1870 年至 1900 年间上演的九部戏剧的语料库，本文着手定义自然主义社会剧，确定其一般标准，并探讨其对工人阶级环境的表现，其中涉及参与政治话语作为以及一定程度的戏剧创新。虽然社会斗争和工人阶级生活与自然主义戏剧所执行的“活生生的真相”计划相对应，但它们也是壮观化的对象，这似乎先天地与其民族社会志的野心相矛盾。因此，壮观现实主义的概念被提出来作为思考这一类型的有效方式。（法语。）