The article addresses the role of performative practices in the informal camps and shantytowns in southern Italy, where many sub-Saharan migrants live. In these settlements, creation and performative expressions take various forms: an organic and unplanned one, which gives shape to multiple improvised languages; one supported, sustained, and often directed and managed by associations; and finally, one produced by non-migrant artists who see the camps as a challenging field of research to situate their works. These three forms (of/with/on) bring several critical issues concerning the role played by migrants, the dynamics of appropriation and agency, and the power relations with local associations, professional artists, and political activists, which intersect in complex ways. The article addresses these different artistic experiences, considering strategies of self-representation, artistic legitimacy, and authorship. Finally, it analyses how performative practices become a primary political tool for facing spatial segregation and racial discrimination.

中文翻译：

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在营地里玩耍：意大利南部移民营地的表演实践

这篇文章探讨了表演实践在意大利南部非正式营地和棚户区中的作用，许多撒哈拉以南的移民居住在那里。在这些定居点中，创作和表演表现形式多种多样：有机的和无计划的，形成多种即兴语言；一个由协会支持、维持并经常指导和管理的组织；最后，一个由非移民艺术家制作的，他们将营地视为一个具有挑战性的研究领域来定位他们的作品。这三种形式（of/with/on）带来了几个关键问题，涉及移民所扮演的角色、挪用和代理的动态，以及与当地协会、专业艺术家和政治活动家的权力关系，这些问题以复杂的方式交叉。这篇文章讲述了这些不同的艺术体验，考虑自我表现、艺术合法性和作者身份的策略。最后，它分析了表演实践如何成为面对空间隔离和种族歧视的主要政治工具。