ABSTRACT

The article explores John Ruskin's legacy in Marcel Proust's literary production through the lens of phenomenological interpretations of place and landscape in twentieth- and twenty-first-century cultural geography. In both authors, landscape is integrated with a subjective geography; nevertheless, while Ruskin absorbs objective topography into a personal narrative, Proust's sense of communality allows his landscapes to transcend the dimension of a mere solipsism. Finally, the exploration of Ruskin's and Proust's landscape writing testifies to a spatial shift based on the increased awareness of the fracture between the self and the world in modernist literature.

摘要

这篇文章通过对 20 世纪和 21 世纪文化地理学中的地方和景观的现象学解释，探讨了约翰拉斯金在马塞尔普鲁斯特文学作品中的遗产。在这两位作者中，风景与主观地理融为一体；尽管如此，当罗斯金将客观地形吸收到个人叙事中时，普鲁斯特的共同意识使他的风景画超越了纯粹唯我论的维度。最后，对罗斯金和普鲁斯特的风景写作的探索证明了一种基于现代主义文学中对自我与世界之间断裂的意识增强的空间转变。