The introductory text situates the therapeutic practices of Gina Ferreira and Lula Wanderley in relation to the work of Brazilian modernist artist Lygia Clark. Ferreira is a social psychologist who uses the arts—for instance, photography and film—for the socialization and treatment of psychiatric patients. Wanderley is an artist who brings creativity into the realm of psychiatric care. Both have significantly expanded the sites and amplified the applications of Clark's Estruturação do self (Structuration of the self) therapy sessions by working in public psychiatric hospitals and clinics in Rio de Janeiro and with marginalized populations. In “Lend Me Your Eyes,” Gina Ferreira offers a poetic account of both Lygia Clark's practice and how communication became a “‘therapeutic’ possibility” for the artist. These thoughts frame Ferreira's narration of her clinical care of a client (patient) named Pedro. In “The Silence That Words Hold,” Lula Wanderley describes his artistic engagement with psychiatry and his use of Clark's therapy with clients such as Rosa. The two articles compelling attest to how Clark's Estruturação do self resonates beyond the institutionalized spaces of the art museum and the academy.

中文翻译：

---

言语的沉默

介绍性文本将 Gina Ferreira 和 Lula Wanderley 的治疗实践与巴西现代主义艺术家 Lygia Clark 的作品联系起来。费雷拉是一位社会心理学家，他使用艺术（例如摄影和电影）来帮助精神病患者进行社会化和治疗。Wanderley 是一位将创造力带入精神病治疗领域的艺术家。两者都通过在里约热内卢的公立精神病医院和诊所工作，并针对边缘化人群，显着扩大了场所并扩大了克拉克的 Estruturação do self（自我结构）治疗课程的应用。在“借给我你的眼睛”中，吉娜·费雷拉 (Gina Ferreira) 以诗意的方式描述了莉吉亚·克拉克 (Lygia Clark) 的实践，以及交流如何成为这位艺术家的“‘治疗’可能性”。这些想法构成了费雷拉 她讲述了她对一位名叫佩德罗的客户（患者）的临床护理。在“言语的沉默”中，卢拉·万德利 (Lula Wanderley) 描述了他对精神病学的艺术投入，以及他对罗莎 (Rosa) 等客户使用克拉克疗法的经历。这两篇引人注目的文章证明了克拉克的 Estruturação 如何在艺术博物馆和学院的制度化空间之外产生自我共鸣。