This article focuses on the seven monumental Qur’āns made during the reign of Sultan al-Ashraf Shaʿbān II (r. 1363–1378), considered to be the masterpieces of the Mamluk arts of the book. These are MSS Cairo, Dār al-Kutub al-Miṣriyya Raṣīd 6, 7, 8, 9, 10, 15, and 54. The aim of this study is to deepen our knowledge of the manufacturing system and the context of production of these manuscripts through the examination of paper formats, writing, and illuminations. This analysis allows us to locate these Qur’āns in the overall context of fourteenth-century manuscripts production, but also to reconsider the place of the two illumination workshops involved in their ornamentation, as well as their relationship with Sultan Shaʿbān and his entourage.

本文重点介绍苏丹阿什拉夫·沙班二世（Sultan al-Ashraf Shaʿbān II ，1363-1378 年在位）统治时期制作的七本不朽的《古兰经》  ，它们被认为是马穆鲁克艺术书籍的杰作。这些是MSS Cairo、Dār al-Kutub al-Miṣriyya Raṣīd 6、7、8、9、10、15 和 54。这项研究的目的是加深我们对制造系统和这些手稿的生产背景的了解通过检查论文格式、写作和插图。这一分析使我们能够将这些《古兰经》置于十四世纪手稿制作的整体背景中，同时也使我们能够重新考虑涉及其装饰的两个照明作坊的位置，以及它们与苏丹沙班及其随从的关系。