Abstract

Geddy Aniksdal has been a core member of Grenland Friteater, Norway, since the early 1980s. She is an actress, director, and writer and runs the annual Stedsans (Sense of Place) Festival and, along with other company members, the Porsgrunn International Theater Festival. She is also a founder member of the Magdalena Project. In this contemplative essay, Aniksdal reflects poetically on what COVID-induced theatre and festival closure has meant for her as an artist and curator, whose everyday practice normally involves working on the international festival circuit, making performances, and running her own festival in Norway.

摘要

自 1980 年代初以来，Geddy Aniksdal 一直是挪威 Grenland Friteater 的核心成员。她是一名演员、导演和作家，主持一年一度的 Stedsans（地方感）节，并与其他公司成员一起举办 Porsgrunn 国际戏剧节。她还是马格达莱纳项目的创始成员。在这篇沉思的文章中，Aniksdal 诗意地反思了 COVID 引起的剧院和节日关闭对她作为艺术家和策展人意味着什么，她的日常实践通常包括在国际节日巡回演出、表演和在挪威举办自己的节日。