While studying immigrant worlding in Brazil’s nineteenth-century southern settler frontier, I stumbled across multiple ways of archiving, from poor farmers’ viva voce prayers and reminiscences to the nurturing of herbal gardens and usage of forest medicinal products to communal vital registries and home burials (including my ancestors’)—all bridging the sensual and conceptual realms through specific material constellations. I take the traces emanating from this unschooled sensorium as an “unfinished system of nonknowledge” forged against the specter of death, as in the 1874 fratricidal conflict that crushed the natural enlightenment of the so-called Mucker false saints. Here, on the edges of colonization, traces-of-what-one-does-not-know testify to the house as an ongoing index of survival and insurgency: both a cluster of materialities, relations, and affects through which complex practices of healing and living on emerge together and an archiving operation combining the historical and the unhistorical in the refiguration of humanness and futurity. As these flickering homespun traces exceed the racialization and necropolitics conjured by the ruling classes and confront brutal efforts at “silencing the past,” they also carry “the poetry it is possible not to write”—that is, folks’ imaginative and horizon-making capacities, which include the Spirit of Nature and relationships to our dead and which storytelling animates time and again.

中文翻译：

---

叛乱档案

在研究 19 世纪巴西南部定居者边境的移民世界时，我偶然发现了多种存档方式，从贫穷农民的口头祈祷和回忆到草药园的培育和森林医药产品的使用，再到公共生命登记和家庭墓葬（包括我的祖先）——所有这些都通过特定的物质组合来连接感官和概念领域。我把从这个未受过教育的感觉中枢发出的痕迹看作是一个“未完成的非知识系统”，它是为了对抗死亡的幽灵而锻造的，就像 1874 年的自相残杀冲突粉碎了所谓的 Mucker 假圣徒的自然启蒙一样。在这里，在殖民化的边缘，不为人知的痕迹证明房子是生存和叛乱的持续指标：物质、关系、和影响，通过这种复杂的治疗和生活实践一起出现，以及在人类和未来的重构中结合历史和非历史的归档操作。当这些闪烁的朴素痕迹超越了统治阶级所召唤的种族化和死灵政治，并面对着“沉默过去”的残酷努力时，它们也承载着“可以不写的诗”——即人们的想象和视野能力，其中包括自然精神和与死者的关系，以及一次又一次地讲故事。