The article is dedicated to the role of polychrome solutions of the architectonic order in shaping the mode of expression of Baroque façades. The ancient principles of designing architectural structures, inherited from the Renaissance, were subjected to reinterpretations in order to impart different expressive values. Vertical layouts began to dominate in the Baroque. Appropriately selected polychrome of the elements of the order could emphasize the compositional expression. The relationship between the layout of the polychrome in a given architectural order and the expression of a work of art has been established for some time. However, the generally available data on color schemes of architectural structures in Baroque buildings are still not fully organized. The paper analyzes examples of Baroque façades preserved in their original state and revalorized in recent years after thorough research by conservators in the field of architecture and color. The examples are mainly designed in the so-called great order, i.e., pertaining largely to church façades. The decisive field of change became the shaping of the coloristic decoration of the entablature.

中文翻译：

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巴洛克立面建筑的多色表现

这篇文章致力于探讨建筑秩序的多色解决方案在塑造巴洛克式外墙表现方式中的作用。从文艺复兴时期继承下来的古代建筑结构设计原则经过重新解释，以赋予不同的表现价值。垂直布局开始在巴洛克风格中占主导地位。Appropriately selected polychrome of the elements of the order could emphasize the compositional expression. 在给定的建筑秩序中多色的布局与艺术作品的表达之间的关系已经建立了一段时间。然而，关于巴洛克建筑中建筑结构配色方案的普遍可用数据仍然没有完全组织。本文分析了在建筑和色彩领域的保护者深入研究后，近年来保存完好并重新获得价值的巴洛克式外墙的例子。这些例子主要是按照所谓的大秩序设计的，即主要与教堂外墙有关。决定性的变化领域变成了柱顶色彩装饰的塑造。