This article develops some of the many ways in which Leonardo and Descartes, throughout the prolific period of human valuation from the fifteenth to the seventeenth centuries, seem to have approached and anchored their seminal contributions on the Cartesian body and metaphysical mind. While Leonardo masterfully developed an iterative thinking system of visual design applied to nature and artifacts, Descartes laid the groundwork for methodical critical thinking in dimensions that ironically ranged from dreams to the controlled narrative, from a deceptive body to a rational man. In an interdisciplinary articulation of historical and neurobiological leanings, contemporary concepts of the cognitive emotional brain, led by Damasio as the basis for his conclusions about the "Descartes Error", as well as a torrent of growing evidence that supports high cognitive abilities in associative processes mediated by action/body lead us to a re-evaluation today of the legacies of Leonardo and Descartes, rescuing a scientific mind/brain/body process that underlies the human mastering of a universal technology of discourse that would revolutionize science.

本文发展了莱昂纳多和笛卡尔在从 15 到 17 世纪的人类评价的多产时期，似乎已经接近并将他们的开创性贡献锚定在笛卡尔的身体和形而上学思想上的许多方式中的一些。虽然莱昂纳多巧妙地开发了适用于自然和人工制品的视觉设计的迭代思维系统，但笛卡尔为具有讽刺意味的维度的系统批判性思维奠定了基础，从梦想到受控叙事，从欺骗性的身体到理性的人。在历史和神经生物学倾向的跨学科表达中，由达马西奥领导的认知情绪大脑的当代概念作为他关于“笛卡尔错误”结论的基础，