Non-representational approaches (to rock art) have highlighted the relevance of making processes. Rhythm, temporality, and taskscapes emerge from every act of making, and are deeply engaged with the affective properties of these practices. In this paper, we outline a rhythm-analysis perspective to rock art discussing how it can shed light on the affective properties of this materiality, the emergence of landscapes, and the impact this practice had on the lived temporalities of the peoples that carried them out. We apply our approach to three case studies related to hunter-gatherer, agrarian, and Incaized communities in different areas of the Southern Andes. As a result, we discuss the relevance of approaching the relationship between making, rhythm, correspondences, and taskscapes to better understand rock art and avoid the pitfalls of an ahistorical relational perspective in archaeology.

非代表性的方法（岩石艺术）强调了制作过程的相关性。节奏、时间性和任务场景从每一个制作行为中出现，并与这些实践的情感属性深入互动。在本文中，我们概述了摇滚艺术的节奏分析视角，讨论了它如何阐明这种物质性的情感属性、景观的出现以及这种做法对实施它们的人民的生活时间的影响. 我们将我们的方法应用于与南安第斯山脉不同地区的狩猎采集者、农业和印加人社区相关的三个案例研究。因此，我们讨论了处理制作、节奏、对应、