Black women are largely invisible in mainstream media’s coverage of police brutality, despite the rise of the Black Lives Matter (BLM) movement. Breonna Taylor’s killing by police in March 2020 gained some media attention after George Floyd’s killing. To engage with BLM, O, The Oprah Magazine and Vanity Fair released special issues in September 2020 featuring Taylor’s portrait on the covers. This study examined the Twitter response to these covers to illuminate how mass media commodify Black womanhood. A critical discourse analysis (CDA) using an intersectional feminist lens revealed themes related to the profitability of Black death, gendered Black allegiance, and Black woman aesthetics.

尽管“黑人的命也是命”（BLM）运动兴起，但在主流媒体对警察暴行的报道中，黑人女性在很大程度上是隐形的。乔治·弗洛伊德（George Floyd）被杀后，布雷娜·泰勒（Breonna Taylor）于 2020 年 3 月被警察杀害，引起了一些媒体的关注。为与 BLM 合作，O、奥普拉杂志和名利场于 2020 年 9 月发布了特刊，封面上有泰勒的肖像。这项研究检查了 Twitter 对这些封面的反应，以阐明大众媒体如何商品化黑人女性。使用交叉女权主义镜头的批判性话语分析 (CDA) 揭示了与黑死病的盈利能力、性别化的黑人效忠和黑人女性美学相关的主题。