Drawing happens across space and time, and is action orientated by pen/pencil, inkjet or paint. The substrate that is drawn/marked on is also important, whether mylar, paper or sculptural instruments. Penelope Haralambidou explores her fellow Bartlett School of Architecture professor and office room-mate Nat Chard's Instrument 10, part of a longstanding iterative drawing and representation project.

中文翻译：

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构建不确定性：教学模型的偏离

绘画跨越时空，以钢笔/铅笔、喷墨或油漆为导向。绘制/标记的基材也很重要，无论是聚酯薄膜、纸张还是雕塑工具。Penelope Haralambidou探索了她的巴特利特建筑学院教授和办公室室友 Nat Chard 的 Instrument 10，这是一个长期迭代绘图和表示项目的一部分。