The articles in the second section of our double issue focus on art practices from Eastern Europe, the former Soviet Union, and Palestine. Each in their own way, these authors discuss art and film practices that complicate the process by which we establish genealogies, trace histories, and narrate historical developments, intervening in linear trajectories and pointing to possible alternatives.

中文翻译：

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来自编辑

我们双期杂志第二部分的文章侧重于东欧、前苏联和巴勒斯坦的艺术实践。这些作者各自以自己的方式讨论艺术和电影实践，这些实践使我们建立谱系、追溯历史和叙述历史发展的过程复杂化，干预线性轨迹并指出可能的替代方案。