This article explores the connections between dreams, cinema, and Palestine. Drawing upon the work of Ghassan Hage, the author argues that dreams and cinema should not be valued only for their connection to resistance and that these phenomena can sometimes reveal unoccupied spaces, even in occupied Palestine. The author then turns to two documentary films: Mohammad Malas’ The Dream (1987) and Mais Darwazah's My Love Awaits Me by the Sea (2013). Whereas the former film documents the dreams that haunt Palestinians at night, the latter investigates those dreams that follow them throughout the day. Through these dreams, both films stage an encounter with the unoccupied.

本文探讨了梦想、电影和巴勒斯坦之间的联系。作者借鉴 Ghassan Hage 的作品，认为梦和电影不应该仅仅因为它们与抵抗的联系而受到重视，而且这些现象有时会揭示空置的空间，即使在被占领的巴勒斯坦也是如此。然后，作者转向两部纪录片：Mohammad Malas 的《梦想》（1987 年）和 Mais Darwazah 的《我的爱在海边等我》 （2013 年）。前一部电影记录了巴勒斯坦人在夜间萦绕的梦境，而后者则调查了那些一整天都在追随他们的梦境。通过这些梦想，两部电影都上演了一场与空置者的相遇。