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Stillness and André Gregory’s Meyerhold
Stanislavski Studies Pub Date : 2022-06-29 , DOI: 10.1080/20567790.2022.2094104 Geoffrey Lokke 1
更新日期：2022-06-29
Stanislavski Studies Pub Date : 2022-06-29 , DOI: 10.1080/20567790.2022.2094104 Geoffrey Lokke 1
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ABSTRACT
This article considers André Gregory’s transition from the acclaimed “physical theatre” produced with his company the Manhattan Project to a signature form of static performance circumscribed by stillness and poetic declamation. Gregory’s 2020 book This Is Not My Memoir, written with Todd London, offers complementary lineages that have shaped Gregory’s approach to theatre. His early career reflects his progression through a pedigree defined by his firsthand study of Brecht and Grotowski, while his later work mirrors a conscious channelling and revivification of a genealogy back through Grotowski to Meyerhold – whom he would maniacally impersonate – and Stanislavski.
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