The manipulation of landscape and the technological use of its views can be a strategy for place-making and a way of creating architecture and making it original. The methods used for this can be different, for example, by mechanically revealing and obscuring views, optical or film projection, directing the viewer to specific frames, using mirrors, etc. This approach is alternative and somewhat in opposition to the natural incorporation of the object into the landscape. In modernism, different architectural views of the surroundings were tested and used differently. These experiences are now transposed to contemporary architectural objects thanks to technological developments and the scenographic shaping of space. The article refers to the sources of transferring landscape views in popular dioramas and the effects of the development of photography, cinematography, and IT media. It describes the possible consequences of perceiving such a created landscape and more general — the world. An example of such a means of expression being fully and consciously taken is the now-defunct Charles de Beistegui Paris apartment. It was designed by Le Corbusier and Pierre Jeanneret in 1929–1931. The apartment was selected for analysing as a case study and confronted with contemporary realisations that use various creative techniques involving the landscape.

中文翻译：

---

景观投影及其在场所和建筑概念化中的技术应用

对景观的操纵和对其景观的技术使用可以成为一种场所营造策略，一种创造建筑并使其具有原创性的方式。用于此的方法可以不同，例如，通过机械地显示和模糊视图、光学或胶片投影、将观看者引导到特定帧、使用镜子等。这种方法是替代的，在某种程度上与自然结合对象进入景观。在现代主义中，对周围环境的不同建筑景观进行了不同的测试和使用。由于技术的发展和空间的场景塑造，这些体验现在被转移到当代建筑对象上。文章参考了流行立体模型中转移风景的来源和摄影发展的影响，电影摄影和 IT 媒体。它描述了感知这样一个创造的景观和更普遍的世界的可能后果。完全和有意识地采用这种表达方式的一个例子是现已解散的 Charles de Beistegui 巴黎公寓。它是由勒柯布西耶和皮埃尔让纳雷特于 1929 年至 1931 年设计的。该公寓被选为案例研究进行分析，并面临使用各种涉及景观的创意技术的当代实现。