The aim of the experimental project we present is to study the clinical efficacy of a performing art workshop in the rehabilitation process of post-stroke patients, in the frame of the specialized Physical and Medicine Rehabilitation Units in Saint-Denis Casanova Hospital. The distinctiveness of the project lies in the multicultural and social identity of the mixed group of patients aged between 40 and 60. The goal of this specific art training with a psychotherapeutic focus is to help stroke survivors to achieve the best possible quality of life. The method consists in a systemic stimulation of cerebral plasticity through exercises based on the principles of Theatre Anthropology and practical experience acquired from Odin Teatret performers and ISTA sessions. The ‘theatrical’ work is constructed through an integrative and interactive systemic process from which sequences of physical and vocal actions are elaborated which in turn generate images and a story. The exercises involve the elementary level of organization of the ‘theatre’. They combine action, sensory stimulation and narrative imagination in a circular path of reinforcement. As for the patients that we consider as performers, the reference to the theatre is considered as a ‘free and open space’ in order to allow them to best mobilize their psychic resources.

我们提出的实验项目的目的是在圣丹尼斯卡萨诺瓦医院的专业物理和医​​学康复单位的框架内研究表演艺术工作坊在中风后患者康复过程中的临床疗效。该项目的独特之处在于年龄在 40 至 60 岁之间的混合患者群体的多元文化和社会认同。这种以心理治疗为重点的特定艺术培训的目标是帮助中风幸存者获得尽可能好的生活质量。该方法包括通过基于戏剧人类学原理的练习来系统地刺激大脑可塑性 从 Odin Teatret 表演者和 ISTA 会议中获得的实践经验。“戏剧”作品是通过一个综合和互动的系统过程构建的，从该过程中详细阐述了身体和声音动作的序列，进而产生图像和故事。练习涉及“剧院”组织的初级水平。它们将动作、感官刺激和叙事想象结合在一个循环的强化路径中。对于我们认为是表演者的病人，对剧院的提及被认为是一个“自由开放的空间”，以便让他们最好地调动他们的精神资源。