Abstract:

Is there a convergence of Philip Roth's The Facts and "the facts," as contextualized historically, in Martin Heidegger's Being and Time? And to the extent The Facts may reconfigure Sartrean flight and Heideggerian regard for resolute consciousness and historicity, how does such transformation relate to Roth's implied musings in The Facts on Herman Melville's The Confidence-Man: His Masquerade? Roth channels irresolute facts not toward the somber absence of consciousness implied by Heideggerian resoluteness and "historicality" but toward the supremacy of Dasein inherent in enduring literary excursion charted by the Sartrean-inspired masquerade of Dasein's being what one is and is not.

摘要：

在马丁·海德格尔的《存在与时间》中，菲利普·罗斯的《事实》和历史语境中的“事实”是否存在融合？在某种程度上，事实可能重新配置萨特的逃亡和海德格尔对坚定意识和历史性的看法，这种转变与罗斯在赫尔曼梅尔维尔的事实中的隐含沉思有什么关系？自信的人：他的化妆舞会？罗斯将犹豫不决的事实引向海德格尔的坚决和“历史性”所暗示的意识的阴暗缺席，而是引向此在的至高无上的地位，这种至高无上的地位是由萨特式启发的此在的存在与否的伪装所描绘的经久不衰的文学旅行中所描绘的。