This article examines the impact that the experience of the 1905 Revolution had on the political attitudes of professional artists of various creative persuasions and on the younger generation who were still attending art schools. It inevitably focuses on a few representatives and argues that Realists as well as more innovative artists like Valentin Serov and the World of Art group became critical of the regime and began to produce works satirizing the Tsar and his government. These artists did not, however, take their disenchantment further and express a particular ideology in their works or join any specific political party. The author also suggests that the Revolution affected art students like Mikhail Larionov and Natalia Goncharova, who subsequently became leaders of the avant-garde and developed the style known as Neo-Primitivism. The influence of 1905 can be seen in their pursuit of creative freedom, the subjects they chose, and the distinctly anti-establishment ethos that emerged in their Neo-Primitivist works around 1910.

中文翻译：

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1905 年和艺术：从美学家到革命者

本文考察了 1905 年革命的经历对不同创作信仰的专业艺术家的政治态度以及对仍在艺术学校就读的年轻一代的影响。它不可避免地集中在少数代表身上，并认为现实主义者以及瓦伦丁·塞罗夫（Valentin Serov）和艺术世界集团等更具创新性的艺术家开始批评该政权，并开始创作讽刺沙皇及其政府的作品。然而，这些艺术家并没有进一步消除他们的幻想，并在他们的作品中表达特定的意识形态或加入任何特定的政党。作者还认为，革命影响了像米哈伊尔·拉里奥诺夫和纳塔利娅·冈察洛娃这样的艺术学生，他们后来成为先锋派的领袖，并发展了被称为新原始主义的风格。