Chapter 1 explores the viral dramaturgy that circulated between Antonin Artaud (among the first to conceptualize theatre as a viral contagion) and the Living Theatre The third viral dramaturgy exploited these via a dramaturgy of "publicly performed fiction - spectacular stories unbounded by theatrical stages" (113) In I Viral Performance: Contagious Theaters from Modernism to the Digital Age i , Miriam Felton-Dansky addresses these problems by way of the concept of "viral performance " [Extracted from the article] Copyright of Theatre Survey is the property of Cambridge University Press and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission However, users may print, download, or email articles for individual use This abstract may be abridged No warranty is given about the accuracy of the copy Users should refer to the original published version of the material for the full abstract (Copyright applies to all Abstracts )

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病毒式表演：从现代主义到数字时代的传染性剧院 Miriam Felton-Dansky。伊利诺伊州埃文斯顿：西北大学出版社，2018；第 ix + 246 页。99.95 美元的布，34.95 美元的纸，34.95 美元的电子书。

第 1 章探讨了在 Antonin Artaud（第一个将戏剧概念化为病毒传染的人之一）和活生生的剧院之间流传的病毒式戏剧手法。 113) 在 I 病毒式表演：从现代主义到数字时代的传染性剧院 i 中，Miriam Felton-Dansky 通过“病毒式表演”的概念解决了这些问题 [摘自文章] Theatre Survey 的版权是剑桥大学的财产未经版权所有者的明确书面许可，不得将新闻及其内容复制或通过电子邮件发送到多个站点或发布到列表服务器。但是，用户可以打印、下载、或电子邮件文章供个人使用 本摘要可能会被删节 不保证副本的准确性 用户应参考材料的原始出版版本以获取完整摘要（版权适用于所有摘要）