Abstract:

This article examines the way Charles Garand’s Georges le mulâtre (1878), a play based on Alexandre Dumas’s novel Georges (1843), forces theatergoers and readers to look at race and racial prejudice. Each act shows the division and divisiveness that racial prejudice imposes on the drama’s characters and suggests that it is only by overcoming the long-held biases built into the colonial setting that people can learn to live together happily and fruitfully. France is represented as the utopian opposite of the île Maurice (Mauritius) where judgments about individuals are not made based on skin color and ancestry but rather on a person’s actions and character.

摘要：

本文探讨了查尔斯·加兰德的Georges le mulâtre（1878 年），该剧改编自大仲马的小说Georges（1843 年），它迫使剧院观众和读者看待种族和种族偏见。每一幕都展示了种族偏见对剧中人物造成的分裂和分裂，并表明只有克服长期存在于殖民环境中的偏见，人们才能学会快乐而富有成效地共同生活。法国被描述为与毛里求斯岛（毛里求斯）相反的乌托邦，在那里对个人的判断不是基于肤色和血统，而是基于一个人的行为和性格。