Science fiction often poses bold questions about social values and processes. These questions rarely address future problems, which authors have no means of predicting. The point of reference of works of science fiction is their own era; they reflect contemporary dilemmas and worldviews. However, by locating the action in the future, creators are freer to comment on current affairs. This was also the case with the Cold War, the major international reality of its era. Culture, including popular culture and science fiction, has already become the subject of Cold War studies. This article discusses perceptions of the Cold War in the first two Star Trek series: The Original Series (TOS), which ran from 1966 until 1969, and The Next Generation (TNG), from 1987 until 1991. The motion pictures of 1979–1991, featuring the crew of the original series, are also discussed. Post1991 episodes of TNG and the subsequent series of the Star Trek saga refer to Cold War memory but were not the products of a society experiencing a the Cold War and therefore are not included in this analysis. The article focuses on the episodes and films produced during the period when the Cold War was “the template for Star Trek’s galactic politics.” These works shed light on public and official perceptions of their respective epochs. Their differences,

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《星际迷航》中的国际体系和冷战形象，1966-1991

科幻小说经常对社会价值观和过程提出大胆的问题。这些问题很少涉及作者无法预测的未来问题。科幻作品的参照点是他们自己的时代；它们反映了当代的困境和世界观。但是，通过定位未来的动作，创作者可以更自由地评论时事。冷战也是其时代的主要国际现实。文化，包括流行文化和科幻小说，已经成为冷战研究的主题。本文讨论了前两个星际迷航系列中对冷战的看法：从 1966 年到 1969 年的原始系列 (TOS) 和从 1987 年到 1991 年的下一代 (TNG)。1979-1991 年的电影，以原始系列的工作人员为特色，也进行了讨论。1991 年之后的 TNG 剧集和随后的星际迷航系列系列都提到了冷战记忆，但不是经历冷战的社会的产物，因此不包括在本分析中。这篇文章重点关注冷战期间制作的剧集和电影，当时冷战是“星际迷航银河政治的模板”。这些作品揭示了公众和官方对各自时代的看法。他们的不同，” 这些作品揭示了公众和官方对各自时代的看法。他们的不同，” 这些作品揭示了公众和官方对各自时代的看法。他们的不同，