This issue of CINEJ Cinema Journal observed the slow recovery from the destructive effects of COVID-19 global pandemic on filmmaking, film distribution and exhibition, and teaching film at HE institutions. One development that is on the agenda is diversity and inclusion in film industry, film education and film studies/criticism as institution. The diversity of film sets has been voiced and is gaining momentum at creative top of the line levels of director, producer and screenwriters Still obstacles remain for those who want to move from entry to mid-level both in film industry as creatives and for academics who want to enter white dominated academia.

中文翻译：

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电影、电视和媒体部门的多元化和包容性：包容性电影产业和培训的政策选择

本期 CINEJ 电影杂志观察到 COVID-19 全球大流行对电影制作、电影发行和放映以及高等教育机构的电影教学造成的破坏性影响的缓慢恢复。议程上的一项发展是电影业、电影教育和电影研究/批评作为机构的多样性和包容性。电影布景的多样性已经被表达出来，并且在导演、制片人和编剧的创意顶级水平上获得了动力。对于那些想要从电影行业的创意人员和学术人员的入门级进入中级水平的人来说，仍然存在障碍。想进入白人主导的学术界。