A three-act session of storytelling, this visual essay explores the connection between photographs (and images at large) and death. A piece of authobiography, it follows the intimate journey of the author accompanying his father’s departure first and his own grief later. The article positions photographs as objects that are more than mere representations. They are living things that accompany us during our lives. And photography, the author suggests by looking at photographs taken by himself, is a way for opening up time and acknowledging the present. Photographs are capable of bridging the gap between life and death.

中文翻译：

---

它以图像开始和结束

一篇三幕的讲故事，这篇视觉文章探讨了照片（和整体图像）与死亡之间的联系。一部自传，讲述了作者先陪伴父亲离去、后悲痛的亲密旅程。这篇文章将照片定位为不仅仅是表示的对象。它们是伴随我们一生的生物。而摄影，作者通过观看自己拍摄的照片，建议是一种打开时间和承认现在的方式。照片能够弥合生与死之间的鸿沟。