Abstract In the framework of predictive coding, as explained by Giovanni Pezzulo in his article Why do you fear the bogeyman? An embodied predictive coding model of perceptual inference (2014), humans construct instances of emotions by a double arrow of explanation of stimuli. Top-down cognitive models explain in a predictive fashion the emotional value of stimuli. At the same time, feelings and emotions depend on the perception of internal changes in the body. When confronted with uncertain auditory and visual information, a multimodal internal state assigns more weight to interoceptive information (rather than auditory and visual information) like visceral and autonomic states as hunger or thirst (motivational conditions). In short, an emotional mood can constrain the construction of a particular instance of emotion. This observation suggests that the dynamics of generative processes of Bayesian inference contain a mechanism of bidirectional link between perceptual and cognitive inference and feelings and emotions. In other words, “subjective feeling states and emotions influence perceptual and cognitive inference, which in turn produce new subjective feeling states and emotions” as a self-fulfilling prophecy (Pezzulo 2014, 908). This article focuses on the short introductory scene from Steven Spielberg’s Jaws (1975), claiming that the construction / emergence of the fear and sadness emotions are created out of the circular causal coupling instantiated between cinematic bottom-up mood cues and top-down cognitive explanations.

中文翻译：

---

运动图像中情绪的循环因果关系

摘要 在预测编码的框架中，正如 Giovanni Pezzulo 在他的文章Why do you fear the bogeyman 中所解释的那样？感知推理的具体预测编码模型（2014 年），人类通过解释刺激的双箭头构建情绪实例。自上而下的认知模型以预测方式解释刺激的情感价值。同时，感觉和情绪取决于对身体内部变化的感知。当面对不确定的听觉和视觉信息时，多模态内部状态会为内感受信息（而不是听觉和视觉信息）分配更多的权重，例如饥饿或口渴（动机条件）等内脏和自主状态。简而言之，情绪情绪可以限制特定情绪实例的构建。这一观察表明，贝叶斯推理的生成过程的动态包含知觉和认知推理与感觉和情绪之间的双向联系机制。换句话说，“主观感觉状态和情绪影响知觉和认知推理，进而产生新的主观感觉状态和情绪”作为自我实现的预言（Pezzulo 2014, 908）。本文重点介绍史蒂文·斯皮尔伯格的《大白鲨》（1975）中的简短介绍性场景，声称恐惧和悲伤情绪的构建/出现是由电影自下而上的情绪线索和自上而下的认知解释之间实例化的循环因果耦合产生的.