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Screening Landscapes: Film between the Picturesque and the Painterly
Acta Universitatis Sapientiae, Film and Media Studies ( IF 0.1 ) Pub Date : 2021-03-01 , DOI: 10.2478/ausfm-2021-0001
Steven Jacobs 1
Affiliation  

Abstract Inherently connected to movement and to a sequential spatial experience in time, the picturesque has been considered as a precursor of the cinematic. In addition, the idea of the picturesque is closely connected to Heinrich Wölfflin’s notion of das Malerische or “the painterly,” which stands for a dynamic style of painting characterized by qualities of colour, stroke, and texture rather than of contour or line. Based on the keynote lecture delivered at the conference, The Picturesque: Visual Pleasure and Intermediality in-between Contemporary Cinema, Art and Digital Culture (Sapientia Hungarian University of Transylvania, 25–26 October, 2019), 1 the essay disentangles the complex network of connections between image and landscape, painting and film, the picturesque and the painterly.

中文翻译:

放映风景:如画与绘画之间的电影

摘要 与运动和时间序列的空间体验有着内在联系,风景如画被认为是电影的先驱。此外,如画的概念与 Heinrich Wölfflin 的 das Malerische 或“绘画”概念密切相关,后者代表一种动态的绘画风格,其特点是色彩、笔触和质地,而不是轮廓或线条。基于会议上发表的主题演讲《风景如画:当代电影、艺术和数字文化之间的视觉愉悦和中介性》(匈牙利特兰西瓦尼亚大学,2019 年 10 月 25 日至 26 日),1 这篇文章解开了复杂的网络图像与风景、绘画与电影、风景如画与绘画之间的联系。
更新日期:2021-03-01
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