Abstract Inherently connected to movement and to a sequential spatial experience in time, the picturesque has been considered as a precursor of the cinematic. In addition, the idea of the picturesque is closely connected to Heinrich Wölfflin’s notion of das Malerische or “the painterly,” which stands for a dynamic style of painting characterized by qualities of colour, stroke, and texture rather than of contour or line. Based on the keynote lecture delivered at the conference, The Picturesque: Visual Pleasure and Intermediality in-between Contemporary Cinema, Art and Digital Culture (Sapientia Hungarian University of Transylvania, 25–26 October, 2019), 1 the essay disentangles the complex network of connections between image and landscape, painting and film, the picturesque and the painterly.

中文翻译：

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放映风景：如画与绘画之间的电影

摘要 与运动和时间序列的空间体验有着内在联系，风景如画被认为是电影的先驱。此外，如画的概念与 Heinrich Wölfflin 的 das Malerische 或“绘画”概念密切相关，后者代表一种动态的绘画风格，其特点是色彩、笔触和质地，而不是轮廓或线条。基于会议上发表的主题演讲《风景如画：当代电影、艺术和数字文化之间的视觉愉悦和中介性》（匈牙利特兰西瓦尼亚大学，2019 年 10 月 25 日至 26 日），1 这篇文章解开了复杂的网络图像与风景、绘画与电影、风景如画与绘画之间的联系。