The article explores the dialogics of art and the role of art as a tool of dialogue between cultures on the example of the Ural Opera Ballet Theatre’s recent stage production of the opera Tri Sestry (Three Sisters), which demonstrates a successful interaction between different cultural traditions.Interpreting Chekhov’s play from a late 20th century perspective, Hungarian composer Peter Eötvös presented new responses to the questions that tormented the play’s characters one hundred years ago. In his work, which blends French and German avant-garde techniques with structural elements drawn from film narrative and the Japanese Noh theatre tradition, he added a radically new dimension to Chekhov’s play. As a result, he was able to open up latent meanings the play within the great time space proposed by the Russian philosopher Mikhail Bakhtin. In turn, Christopher Alden (USA), the Artistic Director of the Ural Opera Ballet production, merged voices from different artistic traditions into a new contemporary musical image.

中文翻译：

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全球化时代的艺术：文化对话（乌拉尔歌剧院芭蕾舞剧院的歌剧 Tri Sestry）

文章以乌拉尔歌剧院芭蕾舞剧院最近的舞台剧《三姐妹》为例，探讨了艺术的对话以及艺术作为文化间对话工具的作用，它展示了不同文化传统之间的成功互动. 匈牙利作曲家彼得·埃特沃斯从 20 世纪后期的角度解读契诃夫的戏剧，对一百年前折磨剧中人物的问题提出了新的回应。在他的作品中，他将法国和德国的前卫技术与从电影叙事和日本能剧传统中汲取的结构元素融合在一起，为契诃夫的戏剧增添了一个全新的维度。结果，他得以在俄罗斯哲学家米哈伊尔·巴赫金提出的大时空里，打开这部剧的潜意。反过来，