In his essay The Spiritual Problem of Modern Man, Jung states that 'The spiritual problem of modern man is one of those questions which are so much part of the age we live in that we cannot see them in proper perspective. Modern man is an entirely new phenomenon; a modern problem is one which has just arisen and whose answer still lies in the future' (Jung 1928, para. 148). During the pandemic, analytic treatment largely moved to online platforms. I propose an examination of the implications of video therapy for our experience and understanding of the analytic frame and container. Through the introduction of Marina Abramović's performance piece entitled The Artist is Present, which took place at MoMA, New York, in 2010, I explore some reverberations of technologically-mediated sessions. By putting Abramović's piece in context with some of my experiences, I draw conclusions regarding a technologically-mediated therapeutic paradigm. Supported by writings from authors André Sassenfeld, Tor Nørretranders and Iain McGilchrist, I introduce the concept of 'exformation' and investigate different neuroscientific presets of human perception and communication. I will ask how they might affect online therapeutic work and our experience of an embodied versus a virtual co-presence.

中文翻译：

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分析师作为用户错觉：COVID-19 时代的治疗。

荣格在他的《现代人的精神问题》一文中指出，“现代人的精神问题是我们所生活的时代如此多的问题之一，以至于我们无法从正确的角度看待它们。现代人是一种全新的现象。现代问题是刚刚出现的问题，其答案仍在未来”（Jung 1928，第 148 段）。在大流行期间，分析治疗主要转移到了在线平台。我建议检查视频疗法对我们的经验和对分析框架和容器的理解的影响。通过介绍玛丽娜·阿布拉莫维奇 2010 年在纽约现代艺术博物馆举办的题为“艺术家在场”的表演作品，我探索了一些以技术为媒介的会议的回响。通过将阿布拉莫维奇 结合我的一些经验，我得出了关于以技术为媒介的治疗范式的结论。在作者 André Sassenfeld、Tor Nørretranders 和 Iain McGilchrist 的著作的支持下，我引入了“exformation”的概念，并研究了人类感知和交流的不同神经科学预设。我会问他们如何影响在线治疗工作以及我们对实体化与虚拟共存的体验。