Abstract:

In the second half of the nineteenth century, dramatic literature racializes the comic argument of the “nègre.” Race becomes a comic device of vaudeville, as dramatic as it is musical, notably with Labiche, through the figure of the man who will soon be called “Bamboula” and who summons burlesque situations, eccentric settings, carnival disguises, humorous couplets, explosive dances and clownish fun. This figure is found in the music hall with Chocolat at the beginning of the twentieth century and will participate in all the new media formats of modernity, enough to trivialize racism and durably shape mentalities. (In French)

摘要：

在 19 世纪下半叶，戏剧文学将“黑人”的喜剧论点种族化。种族变成了杂耍表演的喜剧手段，戏剧性和音乐性一样，特别是在 Labiche 中，通过这个人的形象，他很快就会被称为“Bamboula”，他会召唤滑稽的场景、古怪的场景、嘉年华的伪装、幽默的对联、爆炸性的舞蹈和小丑的乐趣。这个人物在 20 世纪初与 Chocolat 一起在音乐厅中被发现，并将参与现代性的所有新媒体形式，足以轻视种族主义并持久塑造心态。（法语）