ABSTRACT

The article traces the author's research into auditory and temporal perception to probe the strategies useful to a composer for portraying illusions of multiple layers in music, then to a secondary exploration of cross-disciplinary terminologies and strategies, and subsequently to a focus on variables in the listener profile as influencing the potential discernment of meaning in music. Further exploration, tracing the millennia of primitive sound-processing strategies as well as the many contexts which involve body movements and rhythms, leads to the realization that a composer who ventures outside traditional stylistic conventions of music-making will benefit from attention to these factors. In conclusion, the author points out that music is created not only for portraying emotions and moods, but, like all art forms, with an infinite variety of manifestations, subject matter, and research modes.

摘要

文章追溯了作者对听觉和时间感知的研究，以探索对作曲家在音乐中描绘多层幻觉有用的策略，然后对跨学科术语和策略进行二次探索，随后关注变量中的变量。听众形象影响对音乐意义的潜在辨别。进一步探索，追溯数千年来的原始声音处理策略以及涉及身体运动和节奏的许多背景，导致认识到，一个敢于跳出传统音乐制作风格惯例的作曲家将受益于对这些因素的关注。最后，作者指出，音乐的创作不仅是为了描绘情感和情绪，而且与所有艺术形式一样，