ABSTRACT

Although ‘Towards a Theory of Cine-Genres’ announces his interest in connecting film genre to the formal properties of the medium, Adrian Piotrovsky’s thinking as a whole is marked by a fundamental ambivalence to genre. Placing this better-known essay within the overall development of his thinking on cinema reveals how Piotrovsky grappled with taxonomizing cinema and refined a vision for a Soviet filmmaking that moved beyond the limitations of genre.

中文翻译：

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类型电影和电影自成一格：阿德里安·皮奥特洛夫斯基和电影分类

摘要

尽管“走向电影流派理论”表明他有兴趣将电影流派与媒体的形式属性联系起来，但阿德里安·皮奥特洛夫斯基的整体思想以对流派的基本矛盾心理为标志。将这篇广为人知的文章放在他对电影思想的整体发展中，揭示了皮奥特洛夫斯基如何努力对电影进行分类，并完善了超越类型限制的苏联电影制作的愿景。