Art collectives come into existence for many reasons, whether to collaborate on art making or to generate a space for contemporary art outside of the established channels of exhibition and the art market. These efforts have been captured in recent exhibitions such as The Ungovernables, organized by the New Museum in 2012; Six Lines of Flight, which was launched at SFMOMA in 2013; and Cosmopolis I, organized by the Centre Pompidou in 2017. Artist collectives have received some scholarly attention, primarily as producers of artworks, but their exhibition-making practices have not been explored. Some of the collectives included in these exhibitions have also been very involved in exhibition making themselves. The Indonesian art collective ruangrupa was selected to curate the 2022 edition of documenta. This selection emerges not only from their participation in international biennials and their own exhibition practice in Jakarta—including the organization of regular exhibitions, workshops and film screenings at their compound—but also more ambitions events such as Jakarta 32 °C, a festival of contemporary art and media (2004–2014), or O.K. Video (2006–2018). Another group, the Raqs Media Collective, based in Delhi, curated the Shanghai Bienniale in 2016 and the Yokohama Trienniale in 2020. This paper will connect the local and the global through an examination of art collectives’ community-based work in their own cities, and the way it translates into global art events.

中文翻译：

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全球艺术收藏与展览制作

艺术团体的存在有很多原因，无论是在艺术创作上合作，还是在既定的展览渠道和艺术市场之外为当代艺术创造空间。这些努力已在最近的展览中得到体现，例如新博物馆于 2012 年举办的 The Ungovernables；六条航线，2013 年在旧金山现代艺术博物馆推出；和 Cosmopolis I，由蓬皮杜中心于 2017 年组织。艺术家团体受到了一些学术关注，主要是作为艺术品的制作者，但他们的展览制作实践尚未得到探索。这些展览中包含的一些集体也非常参与展览制作。印尼艺术团体 ruangrupa 入选 2022 年文献展策展人. 这一选择不仅来自他们参加国际双年展和他们自己在雅加达的展览实践——包括在他们的大院组织定期展览、研讨会和电影放映——还来自更多雄心勃勃的活动，如雅加达 32°C，一个当代艺术节艺术和媒体（2004-2014），或OK Video（2006-2018）。另一个小组，位于德里的 Raqs Media Collective 策划了 2016 年的上海双年展和 2020 年的横滨三年展。本文将通过对艺术团体在各自城市的社区工作的考察，将当地和全球联系起来，以及它转化为全球艺术活动的方式。